City of Glass, a Canadian duo comprised of Micheal Champion and David Phu, two long-time friends and opposite personalities, COG was born in Vancouver and cut its teeth in Berlin and across Germany. Drawing from older dark pop favourites (The Cure and New Order) modern inspirations (Foals, The Whitest Boy Alive) and a love of electronic music, COG have crafted a unique and memorable sound on their debut LP The Modern Age.
In the last years, COG performed for enthusiastic audiences in the UK, France, Germany, Czech Republic, and across Canada. The band was honored to perform at landmark venues in London, Berlin, and Paris, and at festivals in Prague, Luxembourg, Toronto, Victoria, and Vancouver. Their recent visit to Prague included a five song showcase live on Czech national television. City of Glass, a Canadian duo comprised of Micheal Champion and David Phu, two long-time friends and opposite personalities, COG was born in Vancouver and cut its teeth in Berlin and across Germany. Drawing from older dark pop favourites (The Cure and New Order) modern inspirations (Foals, The Whitest Boy Alive) and a love of electronic music, COG have crafted a unique and memorable sound on their debut LP The Modern Age.
Songs from their brand new debut LP, “The Modern Age,” have already received much praise from major publications in Canada and the Czech Republic and from both Germany and the UK’s finest indie rock blogs. BKS Crew’s (The Union: The Business Behind Getting High) music video for their single “Tourist,” was featured on Canada’s MuchMusic television station and on Coldplay.com. Their most recent video for “The Modern Age” was created by up and coming videographer Jem Garrard (Linkin Park, Ringo Starr, Young Galaxy) who is working with City of Glass on some very exciting upcoming projects.
I’ve been a fan of City of Glass since 2009/2010. I really love the music because it’s well constructed and although it’s reminiscent of some of my favorite bands from the 1980’s like The Cure and New Order but they also are unique and have modernized their original sound. I’ve never seen the band live but I hope to change that if they play a show in 2014.
The track listing is as follows:
1. The Forest
4. I’m Not Here
5. Wait For Me
6. Sticks and Stones
7. An Island
8. The Modern Age
10. The End
“The Forest” has an ethereal quality to it. On the slower side, it starts with bright high guitars and leads into Michael’s otherworldly vocals. “Waiting till you think you know” and “Change what you feel is wrong” speaks to me of how we are killing our planet in many different ways and each of us has own way of doing what we do for the planet and reducing our carbon footprints.
“Blinding” starts out with sounds from a keyboard and guitars and in that begins the melody of the song and the beat follows. I really like how this song starts out. “Rats in a cage, travel together, breeding alone, which vein is better?” are great lyrics which I think compares humans to rats. Or so it seems to me. I also like how the song unfolds throughout its life. It’s a really well constructed song.
“Tourist” is a song that was on The Diving Bell EP, which is one of my favourite songs that City of Glass have done. It’s a song that sounds good musically and lyrically. Speaking of broken promises/words and broken dreams it may speak of meeting someone whom you like or admire and having a falling out due to the fact that they don’t live in the same area geographically, which can be heard on any relationship.
“Sticks and Stones” is another favourite of mine and is a feisty fast paced song with guitars and keys that weave a great melody. Again, this song is really well constructed from beginning to end. Michael’s vocals punctuate with the chorus which gives a start stop feel to it. “Sticks and stones, far from home, trail of bread crumbs” makes one wonder where are you/we going here? But that’s not the point, the point is where do you want to go? And when you go, leave some doors open just in case you fail.
And the title track for the album “The Modern Age” is a sombre song which begins with haunting guitars and a high hat. In minor keys it gives a slightly foreboding of things to come. “Hours and hours alone, kings upon the thrones” and “…blood spits out like water…” and also “…the illusion of control…” are remarkable and one wonders what this song is about. I feel that there are many things in our “modern” world that aren’t modern at all and have been re-discovered over time. The passage of time and our bater system of money for consumer goods gives us a disadvantage because the illusion of control is that we are controlled but in a subtle way by our governments, police and judicial systems. Is it for our own good to be monitored on CCTV constantly by big brother? And why is technology being used against us in this “modern” age? This is what this one song brings to the forefront for me.
All in all, this is a really well done body of music by Michael and David. The LP was produced by COG and Winston, mixed by Shawn Cole and Mark Angly at Fader Mountain Studio and engineered by Paul Boechler, Tom Prilesky and Winston. Recording was also done at Spirit Vegetable and The Bunker and was mastered by Brock McFarlane at CPS Mastering. Artwork by Michael Champion and Christoph Prevost Photography. The LP was written and performed by Michael Champion and David Phu with Alexander Cumming on drums. Additional vocals by Aude GL (An Island) and additional drums by Cole Godfrey (The Modern Age).
Watch some of the videos to the songs from this LP here:
City of Glass – The Modern Age
City of Glass – Sticks and Stones
City of Glass – Tourist