Video Review – The Nursery – Lysergically Yours


Toronto band The Nursery released a new video from their EP Carnival Nature called “Lysergically Yours” which hit their YOUTUBE channel on July 9, 2014.  They’ve been touring and doing shows from Toronto to Buffalo and back again.  They just met a new band member, Jocelyn, who is their new drummer, and life couldn’t be better than it is with lead singer and guitarist Alex Pulec right now.  They are recording new music, planning new tours and maybe a surprise or two along the way.  I had the pleasure of contacting Alex and doing a fast Q&A with him just a few days ago, and here’s what the interview went down as by email:

The Nursery, July 2014.  Photo by by Geneveive Blais (copyright).

The Nursery, July 2014. Photo by by Geneveive Blais (copyright).

Jade:  You’ve been doing quite a few shows in Toronto and Buffalo recently.  Which gig has been the most fun for you and why?

Alex:  You can see Toronto across the water in some parts of Buffalo. It’s not often you get to peer at your home from that far away while bring in another country. We’ve met some of the most amazing people there, for example we’ve met producers, engineers, show promoters and artists alike. We’re really excited about our next Toronto show at Lee’s Palace in Toronto on August 15 as well as a show on August 8 at The Hub in Oshawa.

Jade:  You mentioned that there is a new band member.  How did that come about and what are the details on the new band member?

Alex:  We were in between starting production for the video Lysergically Yours and the moment it was finished, we started working with our new drummer, Jocelyn. That’s why you can’t see her in the video.  The change was very amicable and we’re looking forward to adding Jocelyn’s new energy into our songs.

Jade:  Are there any new plans on new music coming out soon?  And if not, when do you think that might happen?

Alex:  We’re recording an exciting batch of new songs right now that we’re planning to release in the fall of 2014. We’ve been mostly working out of GCR Audio in Buffalo. That city has an energy that no urban town or cabin in the woods could ever come close to.

Jade:  How did the video of “Lysergically Yours” come about?  Whose idea was it and how did it all come together?

Alex:  I had the visual ideas and sketches for a face to be covered in coloured “Jimmies” around for an independent photography project I was planning on doing a year ago. “Jimmies” are the actual name of those tiny multi-coloured sugar shapes, typically rods and balls.  When it came up that we were going to do a video for this song, I felt those ideas fit much better with the colours and mood of the music.  We collaborated with Toronto photographers Devon Stewart and Genevieve Blais to help crystallize and capture the vision.

Jade:  What’s coming up in the future of The Nursery?

Alex:  More new music, more touring and a maybe an 8-bit style video game with Famicom versions of our music for the soundtrack.

* * * * * * * * * * * *

Sounds awesome and a game plan of some sort.  Whatever the final outcome, I’m sure we’ll all enjoy what The Nursery come up and out with.  Great musicians and great visual ideas in general for the two videos by this band so far.  I personally can’t wait to hear some new tunes in the fall from this band!  And to see more artistically creative videos.

The video is really well done.  The funny thing that stands out in this video are the coloured candy bits on those sugary doughnuts, the “Jimmies” which I never knew the name of and I will remember that.  I have to say that when I first saw this video, I was laughing because I found what they were doing was funny, but in a good way. Anyway…..the band is in a room that is covered in aluminium foil (much like Andy Warhol’s The Factory was like from 1965-1969) which I thought was a good move as Warhol was a visionary artist much like Alex in some ways.  The band performs the song and in some parts it’s kitschy and fun.  You can tell all members of the band are having fun.  This video is kind of like Warhol’s Factory in the sense that adding simple props to make it seem timeless in some ways works well. Devon Stewart and Genevieve Blais have given the video artistic life in a sense, as well as the original idea by Alex. Photographers are some of the most artistic people I’ve ever met and can be an added value to any video setting.   I especially like the goggles worn by Jared Roth on keys – gives it a good feel with the silver background.  And Victor Ess’s haircut is a big plus as it just looks good on him playing bass.   And then there’s those candy sprinkles (Jimmies) around the mouths of Alex and the mystery lady…..have they been eating the same doughnuts?  And, are they Lysergically each other’s mate?  I could guess but I’d rather revel in the mystery.

Isn’t it funny how sugar, music and candy sprinkles, or “Jimmies”, look good in a silver room with a rocking good song?

The video is right here – let the band and myself know your thoughts on it by sending some comments!

Review – Poor Young Things – The Head, The Heart, The End (2013)


poor3

Just two years after collectively relocating from Thunder Bay (to Toronto), the pop-rock quintet has issued a massive, sweat-soaked, insanely confident debut, The Heart. The Head. The End. Not only that, they’ve picked up a record deal, marquee management, a Sirius XM Emerging Artist of the Year award and a swelling fan base. Few can make something as tough as pursuing a dream look so dang easy.

“Oh man, we are so lucky,” confirms singer/guitarist Matt Fratpietro on behalf of his cohorts. “Touring across Canada is so hard. And there are lots of bands that do that for years and years and don’t get the breaks we’ve had.

“We came here and were signed within a year to a small, very supportive label, Bumstead Productions. I mean, obviously we sold our souls to the devil,” Fratpietro howls. “But still. What a deal we got!”
Kidding aside, The Heart. The Head. The End. could not have emerged if Poor Young Things – high school pals Fratpietro, guitarists Michael Kondakow and Dave Grant, bassist Scott Burke and drummer Konrad Commisso – had elected to play it safe.

“It’s scary to leave your hometown,” Fratpietro admits of the big move south in November 2010. “We had been playing together for about three years at that point in some incarnation or another. The five of us all agreed to move together, which made it a bit easier though we are all living in the same house now which is… cozy. I mean, we see each other every day.”

With that said, what a debut they made back in May 2013!  I have such respect for a band that moves its home base to a completely different and much more aggressive city.  This collection of songs are about the best thing I heard last year as far as new bands go.  Since I write at my own pace without being paid on most reviews, I get to review what I want.   One day I might get paid for all reviews which would be nice.  I also know that many people come here to read about bands that are not known in countries outside of Canada and the US.  So, it’s nice to know that there are some real music fans out there who actively pursue new music and new bands from other countries.

The track listing for the album are:

1.   Dress It Up

2.   Sign of the Times

3.   Transformer

4.   Warpaint

5.   Strength in Numbers

6.   Revolver

7.   Running

8.   Black Lightening

9.   The State

10.  Given the Situation

11.  Ghost Notes

The music on the album is upbeat, collectively played very well and fun in general.  This is a very good collection of songs to begin a musical career on.

“Dress It Up” roars off the computer screen in a huge way.  Speaking of hispters, peace and love, things are different for the person looking from the outside in.  That’s what this song speaks of to me.  The person you’re looking at or hanging out with sees things in a “rose coloured glasses” kind of way while you see things for what they are – stark, broken and sick.  Everyone sees things differently and some people remember events “dressed up” as the memory isn’t foolproof.  Musically its an uptempo song with a great beat and a good hook.

“Sign of the Times” is about the current state of the financial crisis all over the globe.  Insecurity and high unemployment and how that makes one feel.  Musically it has hope in the chorus to verse although it does have a certain gloom to it lyrically.

“Warpaint” is a good song that has a steady beat and good lyrics.  “Wash away your war paint” gives you a clue as to what the song is about lyrically.  Ready for battle?  That’s what this speaks of in general terms.  The music is fast, strong and in your face with attitude.  Fighting is not so good in this day and age.  It just sucks your energy and brings you down to another person’s level.  And in the end, was it worth it?

“Black Lightening” is the best damn song on the album for me.  Based in minor keys this song stands out based on just that.  However, the lyrics are just so good.  Here’s what the band said about this song, as posted on their website:  “‘Black Lightning’ only took a couple of days.”  Not bad, short and sweet.

All of the songs on this album are better than average, meaning for a debut it’s about as good as it gets.  Relate-able songs, exceptional vocals and collectively played well, this album is a gem from 2013.  If you like independent bands without the big label hoopla, this is a band you’ll enjoy listening to and following.

You can find all things related to the band at their website.  And you can listen to the songs from the album there as well.  The band will be playing shows on:

April 25 2014 @ The Horseshoe Tavern in Toronto ON

May 9 2014 @ Riverstone Event Centre in Welland ON

Enjoy!

Poor-Young-Things-Press-Photo-2013Video – Sign of the Times

The Balconies – Review – Fast Motions


balconies cdcover

Since the release of their Kill Count EP in 2011, and the success of its title track in 2012, The Balconies have been making waves internationally with their rigorous touring schedule and spirited live shows. Raging through North America and Europe for the better part of 2013 – including performances at Iceland Airwaves, Reeperbahn, NXNE, and CMJ, fans and critics alike have been falling for the band. The Balconies have been garnering accolades from NOW Magazine, Hit the Floor, and Exclaim! just to name a few. A testament to their energetic live show, Soundproof Magazine went so far as to say, “The Balconies are a beast on stage…….a dramatic understatement. Their music reached out and bitch slapped the Horseshoe (in Toronto ON Canada) across their drunk faces, demanding attention.”

The band is looking forward to expanding its horizons on the road as a four-piece with new drummer Steve Molella.  The Balconies aren’t satisfied standing still – they’re ready to do it bigger and better in support of their new CD Fast Motions.  Recorded by legendary producer Arnold Lanni (Finger Eleven, Simple Plan, Our Lady Peace), Fast Motions is evidence of why The Balconies are one of Canada’s best new rock and roll acts. With lead single “The Slo” released earlier this year and receiving heavy rotation across Canada and the UK (plus a featured performance by the band on CBC Television police drama ‘Cracked’), they have a lot to live up to. The band does not disappoint – their trademark brand of visceral rock courses through Fast Motions. Sweaty, grinding rhythms have never felt this good – Jacquie’s explosive vocals and furious fretwork, Liam’s cascading atmospheric waves, Stephen’s thick, driving bass lines, and Steve’s quaking rhythms are set to seek and destroy.

Upon listening to this CD for the first time, one thing is evident – this band has the potential to become a huge success.  Beloved in their grass roots of Ottawa and their adopted home of Toronto, they follow bands like Metric, Mother Mother and The Belle Game to name a few, into commercial success not only here in Canada but all over the world.

The track listing for the CD is as follows:

1.    Boys and Girls

2.    I Know You’re Right

3.    Good and Ugly

4.    Moving Parts

5.    The Slo

6.    Kill Count

7.    Beating Your Heart

8.    Fast Motions

9.    Do It In the Dark

10.   Let Me Go

Starting out with the high energy “Boys and Girls” this song is catchy, has a great hook and has a flowing melody through the entire life of the song at 3:39.  This song has great harmonies as well, and is so damn likeable that I’m dancing mentally with the band.  Musically, this song is a great opener.  It sets the pace for the rest of the songs.  Lyrically, I find that its a current description of people in general.  Boys and girls.  Get up and get into the song!  It’s almost like an anthem.

“I Know You’re Right” is another high energy song that speaks of life on the road as a touring band.  It has a soft melody at its core but the band builds up the music to a frantic pace and brings it back down again, crashing into a finale.  This song is as good as it gets for this reviewer.

Jumping ahead to the song that brought The Balconies into the forefront, “The Slo” is disjointed, crazy and out of tune in spots – a perfect frenzy if that’s possible within a song.  Jacquie’s vocals are piercing in a pleading kind of way, expressing emotions that belong behind closed doors, giving it some kind of mystique.  Heavy guitars in minor keys give the song a foreboding feeling.  It’s no wonder this song exploded and the band became known by this song.  Very well done!

The last song “Let Me Go” is a total departure from the rest of the songs on the CD.  It’s slow, seductive and haunting.  No pounding drums or guitars are evident on this song but there is great harmony with the keyboards and Jacquie’s emotionally strained vocals.  Mostly in minor keys the song slowly fades into nothing as the CD comes to an end.

I have to say that this is a body of work that hopefully will be short listed to win the Polaris Prize.  This CD is filled with frenzied emotion, heady music played extremely well and really good harmonies and melodies.  The CD is well crafted and recorded by Arnold Lanni who puts his mark on this promising band.

Currently the band is doing a mini tour which includes the following dates:

Feb. 13 @ Ebar, GUELPH, ON (w/ Say Yes)

Feb. 14 @ Moustache Club, OSHAWA, ON (w/ Say Yes)

Feb. 15 @ Two Doors Down, BRANTFORD, ON

Feb. 20 @ Casbah, HAMILTON, ON (w/ Say Yes) *tickets

Feb. 21 @ The Dominion House, WINDSOR, ON (w/ Say Yes)

Feb. 22 @ Sanctuary, RIDGEWAY, ON (w/ Say Yes)

Video – The Balconies – The Slo.

Video Review – The Nursery – This Wild Heart


Back on August 7 of this year, I had the pleasure of reviewing an EP by The Nursery to which you can find that article here.   One of the songs on the EP is called “This Wild Heart” to which the band have just released a new video for up on the bands’ YOUTUBE channel.

The video begins in a red coloured rocky place (reminds me of Mars for some reason or the beaches on some parts of PEI) where a pretty woman is gracefully standing with a silk multicoloured shift (dress where I come from) on and begins to dance as the music starts.  The first line of this song is “Beyond the Valley of the Dolls…” which totally matches the rocky background the woman is dancing on.  Alex Pulec’s voice is wispy and enticing with this song, and again, it matches the feel of the woman dancing and the rocky background.

The band is seen performing the song in between flashes of the dancing woman in the multicoloured shift of blue, gold, red and green.  It’s good to see the band perform in black and white which contrasts to the colour film of the woman dancing.  I like the visual appeal of the video (as well as the song) and I feel it’s a tribute to artistry in all forms:  music, dancing, colour, texture, black and white, men in band, woman dancing, etc.  I love the end where a man in a black suit/white shirt with a white cloth bag on his head claps for the woman dancing who gracefully bows.  A very well done video!

Credits:

Directed by:  Tom Sokalski

Dancer:  Christine Walker

Costume Design:  Sonja Rainey

Makeup Artist:  Brianna Bisson

Executive Producer:  Alex Pulec (the man behind the vocals in the video)

The Nursery – This Wild Heart Official Video

General Overview of Older Reviews


Since the beginning of this year, I’ve had an overloaded plate and at some point due to many issues, I just couldn’t keep up.

But slow change is happening, and since the reviews I had been working on are 6 months or older now, I’m just going to give out the artists’ name/band name with a link to read about the music and that kind of thing.  I’ll just make a comment about the music, but it’ll be more or less “general”.  I want to leave it to fate and what consumers want (that means you!).  Whether it’s a name of a person/band that sucks you in or just being curious as to what kind of person/band with that name has what kind of music?  Either way, it’s your free will to choose what you do.

One final note:  I do have 2 new reviews that will be posted separately over this long holiday weekend – both are Vancouver BC based artists Sex With Strangers and Rec Centre.

Mother Mother

Hill and the Sky Heroes** (see below for contest)

Jesse Sparks

The Gromble

The Red Button

Seth Swirsky

Taz Taylor Band

Cubic Feet

Infared Sunday

**Hill and the Sky Heroes are on Audio Blood Media, and thanks to the AB Team, I just happen to have 2 extra copies of the CD and if you’d like one sent to you, just answer me this:  1)  who is the force behind this CD and 2) name 3 other artists who this force has worked with and on what kind of project (music, film, art, etc.)

Send an email with your answers to:

jadedphotograhy@me.com

Deadline is September 20th, 2013.  The first correct entries win the CD.  Please remember to include an address to send the CD to in your email.

Mother Mother “The Sticks” is my favorite CD this year hands down.  I love the progressive nature of this band so much it hurts.  The lyrics are always stark and stripped down but remain mysterious to individual listeners.  The opening track OMENS is downright ominous and creepy , but there is a lingering question mark at the end of that song that leads directly into the title track THE STICKS.  I can’t explain how a song can make you think of a question mark.  It just is.  I’ll be playing those 2 songs at the infamous Halloween party this year out in Surrey!  The music does lighten up and take on more happy but melancholy tones  (musically) but lyrically it could go either way.  I would describe the vibe/undercurrent of this CD in 3 words:  On the edge.

Hill and the Sky Heroes is another example of a progressive artist and band member with other impressive credentials to the name Hill.  I had never heard of this band but the talent that is bursting out of this CD is like a water deluge of biblical proportions.  It’s overwhelming at first.  If you like whimsical, edgy and a life being lived fully kind of music, this is a must have for your Indie music collection.

Jessie Sparks is originally from Melbourne Australia where she is based out of today.  She did live in her early teenage years in Illinois, Iowa and New York State in the US where early on she had a huge talent for singing and pianos.  This 5 song EP is worth a listen and download from iTunes.  Great blues vocals reminiscent of Janis Joplin, Odetta and Billie Holiday.  Good timing, upbeat melodies for the most part and a fantastic voice highlight this Blues artist – and if you like Blues, you’ll want to add this to your collection.

The Gromble have that throwback music from the 1990’s.  Not a bad sound if you’re in a longing for the 1990’s.

The Red Button is a Seth Swirsky collaboration.

Taz Taylor Band is pretty much good rocking music.  Check out the link above to find out more.

Cubic Feet and Infared Sunday have good solid music you should check out by following the links above.

———————————————————–

I want to thank Audio Blood Media and Luck Media for their patience while I’ve been AWOL with medical issues.  You guys rock!  And its good to be back!

EP review and Interview – The Nursery – Carnival Nature


An indie band in Toronto called “The Nursery” has completed their new 6-song EP called Carnival Nature.  Alex Pulec is the main driving force behind this band (and he is formerly of the band The Ruby Spirit where he was asked to leave).  He’s a very talented individual whose skills are all over the internet.  If you google his name, watch what comes up.  Amazing.  I hope to meet him personally in the future.

The EP was produced by Tony Malone, and when I heard this EP I knew that it had been mastered by Joao Carvalho (David Vertesi, Shad and By Divine Right) whose mastering skills are just amazing. The EP was released on 29 June 2013, and the links for Tmblr and Bandcamp are listed at the end of the review, as well as a video.  Another ally in the project is Nathan C. LaLonde (photography), whose personal site is worth a serious look.  He is definitely someone who I’d like to meet in the future.  I love his work!

Photograph taken by Nathan C. LaLonde

Photograph taken by Nathan C. LaLonde

I had a chance to ask Alex Pulec and Victor Ess some questions and their responses are as follows:

How did you form your current band “The Nursery”?

Alex: The band developed between a collaborative relationship between Victor and I. We had gotten into this habit of spending evenings ditching parties and events early to go work on songs. Eventually we realized a whole set of music had been written and we started getting excited. After having the songs ready we needed to find musicians to bring them to life and perform so Victor brought Nate in and I brought in Jared.

Where did the band name come from?

Alex: To me a Nursery of any kind represents life as much as it represents death. I love the play between light and darkness. The pleasant and the macabre. Those dualities always find their way into our music. It seemed appropriate.

What drove you to leave your last band “The Ruby Spirit”?

Alex: I never left. I was asked to leave. Too many cooks in the kitchen to make a loaf of bread.

Most artists have a “process” for writing songs. How do you write your songs? Do you concentrate on the melodies, or the lyrics, or the entire structure of the song?

Alex: For me it usually starts with an impression of an idea or a hazy image. Sometimes it’s a melody with words or sometimes it’s just a sound. I like to allow the idea to lead me further and further into what it’s supposed to be. It gets shaped in the process of trying to discover why this bit of music is having such an effect on me. Eventually the pieces start falling into place as you get closer. It always gets shaped even more with the band before it can be called finished.

Victor: I’ll often have a basic skeleton or structure in mind, or perhaps a particular melody or vibe that I want to emphasize. If I don’t have a completed idea, Alex and I will usually take an evening to work on it together and help it take shape.

As an Indie band in the land of social media, how do you find gigs to play?

 Alex: I have used social media to connect with bands that are based out of our town to swap gigs with. I see Twitter as some sort of ice breaker platform to get in touch with bands, promoters or venues that may seem out of reach otherwise. It’s great to use if you are booking all your own gigs and don’t have someone handling that yet. I also really like putting on shows with friends and other bands I love from in and out of town. It’s fun to put on shows with your friends. I feel it resonates with an audience on a level that feels honest and genuine. Pulling together with people for something feels good. Trying feels good.

What’s your take on supporting yourself in an Indie band in the age of social media and networking? Do you find it works to your advantage or disadvantage?

Victor: Social media done right can actually be really effective. I find a lot of people trying to promote themselves, bands or otherwise, put in the bare minimum with social media/networking and it comes off as disingenuous, like they’re just going through the motions cause everyone else does it. Nobody wants that. I think social media is great because it really gives you a chance to share your journey and tell your story to people.

 Alex: It’s discerning between ASKING for things or GIVING to people. Focus on giving not asking. Social Media is free. Give it away.

What have you “personally” learned and sacrificed by being a creative artist through your life so far? And how did you incorporate that lesson or emotion into a creative expression?

Victor: I’ve turned down some great job opportunities because they might have cut into my ability to make music. Same thing with relationships. I’m doing this because I love it, plain and simple.

 Alex: You have to genuinely love your art or else you’ll start to resent it when obstacles come in your way. And they will always come, because it’s not easy. There is no set path to follow. You need to cut your own. It’s always easier to travel in the dark with something you love.

Because of the over-saturation of DIY bands in the Toronto area, how will your band stand out above the other bands?

 Alex: I don’t believe it’s over saturated. Just under exposed.

On the EP, Carnival Nature, you name many other musicians who play and arrange – who are the other permanent members of The Nursery, and what instruments do they play?

 Alex: I never made a record that had so many people on it. It was like a making a film with big cast of characters. Tony Malone who produced it served as the director and helped organize everyone’s contributions. He also did the horn arrangements. I asked Athena Babayan to sing harmony on This Wild Heart to get a ghostly female voice on it. Her parts are some my favourite bits on the record.

Victor: From the beginning I have been a permanent member of The Nursery but ended up taking over the synthesizers instead of bass on ‘Carnival Nature’.

 Alex: He was kind of our Brian Eno to Roxy Music on this record programming most of the odd sounds and atmospheres that swirl around the songs.

 Victor: Sam Morton, a great bass player and friend of ours handled bass while I did all synth work. Now I play Bass, synths, sing harmony and any other effects or sounds that I can get my hands on.

Alex: Now The Nursery consists of Nate Finucci on drums and Jared Roth taking over keyboards as well as myself and Victor. They both bring such a different and fresh energy to the whole thing. We have started to work on an LP together.

What bands/artists/performers have inspired you musically and creatively over the years?

Alex: There are too many to list and even talk about. But I often take a lot of my inspiration from films, poetry and spontaneous discoveries in my everyday life. Sometimes a child yelling a strange sentence on the street may inspire an idea or lyric.

What was the inspiration for the song “This Wild Heart”? I find this song very interesting musically as well as lyrically….

 Alex: It was a combination of old western songs and the work of David Lynch initially. Lynch is a master of creating a surreal world that consumes you and that you can get lost in. So I tried taking this approach to a seemingly familiar song format by putting it in a whole new context. Victor and Tony’s textures are really what creates it’s juxtaposed and hypnotic environment. Lyrically it’s about coming to the realization that you are completely bound to someone regardless of the journey you’ve had with them and weather you like it or not.

You yourself play many instruments including the Mellotron on this EP. Which instruments are your favourites to play onstage and off-stage?

 Alex: Onstage I play guitar when I sing. It’s most fun and comfortable for me. I sometimes play Theremin onstage with my guitar when I can. That’s the best. You need a large stage to even use it properly, so it doesn’t always happen.

The members of this band are:

Alex Pulec – Vox and guitar

Victor Ess – Bass

Jared Roth – Keys and Synths

Nate Finucci – Drums

The song listing for the EP is as follows:

1.  Lysergically Yours

2.  It’s A Sin

3.  Lucy

4.  Domino

5.  This Wild Heart

6.  I Was I Was Someone Else

“Lysergically Yours” is pure kitschy and chaotic.  Progressive, edgy and with a touch of fun mixed with madness and fears, it’s a song about overpowering someone who is perhaps more passive.  There is symbolic duality in the melody of this song which gives it a fun but mad feel.

‘It’s A Sin” is a bold and brash song which is pure progressive psychedelia pop.  The melody is strong and makes a bold statement as the vocals wrap around the words beautifully.  Again, there is duality in this song which I think of as good versus evil but it’s more lyrically than musically.  Musically the song is upbeat and on the bright side.  Perhaps that’s another duality of the song itself.

“Lucy” has a good beat, is upbeat and chaotic in spots but these unusual spots hit a nerve when you realize that this is about life versus death (suicide).  The music belies that fact which is a brilliant disguise in song structure!

“Domino” sounds like a death dream that one lives in a song, if that’s possible.  Duality in life and death, whispers, Munster-like music which symbolizes being hypnotized while dying as the eyes close on life.  One of my favorites on this EP!

“This Wild Heart” is another favorite.  Sounding like southern psychedelia pop with vocal work by Alex this song reminds me of cowboys who have had a hard life and can’t be tamed in anyway, but instead, find a kindred spirit in the melody of songs.  I really like the big sound to it as well as the feel of the music.

“I Was I Was Someone Else” is a ballad like song but instead of being a traditional ballad its again a duality of being ignorant of one’s feelings about another person.  We all grow and become older and may change our lives, but, internally, we don’t change  our personalities.  This is one of those songs that makes you think about how you’ve treated past lovers and yourself.

The EP is everywhere, but the Bandcamp link is provided so that you can buy the EP right from the band without a middleman.  You can also visit the blog on Tmblr for info on the band and follow them there.  There is also a link to see video on YouTube below (produced by Nathan C. LaLonde).  I invite you to have a visit to Nathan’s site Eccentric Exhibits.  It’s a very interesting site of artwork, photographs and video works.  Other artwork on the CD comes from photographer Genevieve Blais (who has a website you should visit) and Amy Janine Wong sketched out the poster which is awesome.

CD Review – Hands and Teeth – Hunting Season


CD Review – Hands and Teeth – Hunting Season

Released: January 2012

by Jade Sperry

Hands & Teeth are  Kevin Black, Adam Kolubinski, Derek Monson, Natasha Pasternak and Jeff Pint and for the time being they live in Toronto.  Their release of Hunting Season is a good progression from Enjoy Your Lifestyle from 2010.    One thing this band does well is the harmonies.  Finding people to harmonize well with can be quite hard.

Here is the track listing:

  1. It’s Coming Back
  2. All That Was
  3. Le Petit Voleur
  4. Sound of Hamilton
  5. Missing
  6. Parallel States
  7. Hunting Season
  8. Song 8

The lead-off track  “It’s Coming Back” has a melodic sound which gives it a very whimsical feel.  It reminds me of someone who has come 360 degrees in their life and are looking back on the darker thoughts.  With lyrics like “We know what you are”,  “I hide in the dark” and “Scars are fading fast” sounds to me like someone has gone through something traumatic in their childhood. “All That Was” starts with a whimsical melody that builds into the bridge and chorus – and with lyrics “I can’t see out of this haze” leads one to believe they are in a state of confusion.  Lovely piano work at the beginning and end of this song.  “Sound of Hamilton” is a song close to my heart as it’s a song about my old hometown Hamilton ON.  And I have to say that lyrically and musically this song is spot on.  The melody and the total song itself sounds creepy – almost like you just went to Dundurn Castle and got spooked out and ran for your life in the downtown alleys with only the thought of “getting out” before it’s too late.  “Missing” is a fairly upbeat song but with a melancholy melody that is slightly off key and reminds me of the Detroit sound (The Ronnettes) in the first verses.  The lyrics speak of “you try to see the whole world and suddenly it’ll bring you down” because you may not be aware that our culture is now global in the 21st century.  I really like how this song flows – almost like water.  “Parallel States” has wonderful harmonies which weave through the song and make it sound alive.  There is really good depth from the middle of the song to the end.  “Hunting Season” is uptempo and has quirky lyrics that sound like they have a bite to it.   I really like the male/female tradeoff in the song as well as the guitars in the beginning of the song.  The melody is very warm, positive and inviting.  The bridge is slowed down to vocalize gently and then the song evens off.  This is song the one I like the best.  It’s the way that the song is structured by lyrics and melody.  And the last song “Song 8” starts out as s spooky melody however it ends up as a laid back song.   The lyrics are whimsical with just enough spook to it.  This band pulled off that song very well.

I’d rate this CD at 8 out of 10.  Song structure, melodies and harmonies are really well captured in this 8 song CD.  If you like good music that is frantic, lazy and down to earth, then this band is for you.  Any one can easily identify with subjects within the song.  If you like Hey Rosetta!, David Vertesi and Mother Mother then you’ll probably like this band as well.  I’m looking forward to more songs from this band.

A video for your enjoyment from Hands & Teeth –  “Hunting Season/Sounds of Hamilton” – an impromptu performance at Toronto’s Capital Expresso.  Video shot and edited by Mitch Fillion.