CD Review – Gerard Way – Hesitant Alien


Everyone who ever liked or heard My Chemical Romance knows who Gerard Way is.  I was never a big MCR fan, but I have to admit, The Killjoys struck a chord deep in the depths of my being.  Aliens, apocalypses and giant animal heads are great but a “hesitant” alien is intriguing – and a good title to a début CD as a solo artist.

Gerard has accomplished many things in his short time on this planet – he’s fronted the highly successful band mentioned above, has 2 comic book series under his belt, is a good songwriter and has a family.  He is married to Lyn Z, has a daughter (Bandit who’s 6) and from where I stand, he is enjoying what he’s doing as it’s on his own terms now.  You still have to be part of the “machine” but it’s better to be in a good position from within the “machine”. Being a solo artist is hard when you’ve had the security of a well oiled band behind you.  But, Gerard is doing it his way and it seems to be paying off.

When I received the package with some nice things inside, it was the CD that stood out in it’s simplicity.  The photography is well done, showing a “hesitation” photo of Gerard on the front.  I’ve really enjoyed the videos, the tour and other things I’ve seen on Facebook and YouTube.  I caught a full show on YT from the UK Redding show and also some really well done interviews.  Facebook took me to many articles and interviews from Gerard and I have to say, I like this guy.

The CD was produced by Doug McKean.  It was engineered by Doug McKean and Tom Rasulo.  Recorded at Sonic Ranch in Tomillo TX and at Lightning Sound Studio in Hidden Hills CA.  Assistant Engineers are Gerardo “Jerry” Ordonez, Zach Mauldin, Lance Sumner and Andrew Law.  Mixed by Tchad Blake at Full Mongrel, Wales UK.  And the CD was mastered by Bob Ludwig at Gateway Mastering in Portland, ME.  The band members besides Gerard are Ian Fowles (guitars), Matt Gormey (bass) and Jarrod Alexander (drums).

gway hesalien2

Having said the above, let’s move onto the CD itself.  The tracks are in this order:

  1. The Bureau
  2. Action Cat
  3. No Shows
  4. Brother
  5. Millions
  6. Zero Zero
  7. Juarez
  8. Drugstore Perfume
  9. Get the Gang Together
  10. How It’s Going To Be
  11. Maya The Psychic

There are many discussions from fans on many threads about the fact that they don’t like the new bands that the other band members have formed.  And many don’t like the new solo direction that Gerard is taking.  Life changes and things move forward.  As you age, you’ll understand that.  You have to grow and change – experience different things and situations with other people. Otherwise, the repetition is a death chant to some of us who are creative.

Taking the CD at face value for the music, I found the music to be pretty much what Gerard is saying in his interviews. He’s exploring totally different sounds (a departure from the MCR sound) from the Britpop phase in the 90’s to glam rock from the early 70’s.  And he has a really definitive way he wants it to be heard.  If you read the fine print on this CD, Gerard plays bass, guitars, percussion, piano and keyboards.  And Gerard’s brother, Mikey, even does some vocal work on the song “Millions”.  All lyrics were written by Gerard with various other people under Sub Atomic Tourist Music and others affiliated with the other person writing with Gerard.  And if anyone wants to know why sometimes you see Blonde hair on Gerard, you have to bleach your hair blonde and then dye it again.  It’s a process.

The first song “The Bureau” has got some crazy sounds going on – heavy fuzzed out guitars in a simple 2/3 chord structure – which sounds like someone is on caffeine and maybe a bit on the paranoid side.  Interesting that there is a British phone ringing at the end.   Lyrically it speaks of “get in/get out” and “everybody keep it calm tonight”.  The impression I see is that Gerard is making it clear that something different is coming up.  It’s not like MCR music, and it’s a good statement.

With “Action Cat” it’s like after the paranoia, let’s have fun and enjoy a pop song.  Pure and simple.  I’ve been listening to this song for a while and I like the part that goes “we can make it up again”.  Everyday is like being a new version of the last version.  Actions and decisions are all part of the process.  I have a deep impression that this song has something to do with his daughter Bandit and how he sees the purity of childhood imagination and how to be inspired by that.  I like the chorus, it speaks of “we can make it up again” plus “and we don’t care we just pretend”.  It also is saying to the innocent “Do you miss me/cuz I miss you”.  The music in the bridge is pretty cool with the guitars and is simple but effective.

“No Shows” reminds me immediately of not touring and missing and questioning the self.  It could be family life and strong bonds between two partners.  It could also mean questioning the whole “lifestyle” of your professions.  I like how the lyrics leave you guessing and is in the third person meaning this song can be about anyone who works a job and has a family.  Well structured, a little lazy in it’s feeling and a very solid melody, this is a good pop song.

Moving on to the song “Brother” it sounds melancholy with a sweet and perhaps down feeling melody.  With lyrics like  “can’t sleep tonight”,  “cuz now we don’t sing so loud” and “remember when you and I would make things up” is some a song of fond memories recent and past.  And it could mean more people than just a brother – wife, child, mother, father, etc.  It’s a well structured song that speaks from personal experience.

“Millions” has a slight off tune sound but works well within the structure of the song itself.  The music sounds very much like the Manchester sound from the early to late 90’s like Blur and Pulp.  It’s a good pop song in the fashion of an era that defined music from this area of the globe.

Another song to hit up is “Maya The Psychic”.  The music is fast, upbeat and almost reminds me of a tamer version of what Gerard used to be in MCR.  One lyric that stands out to me in this song “but when you read my future/are we running home or running free today?” which totally strikes a very deep chord in me.  I must admit when I’ve had a bad thought of someone else in front of me it usually happens.  Or having dreams come true.  “Use weapons of clairvoyance” directed to “teenage believers” is consistent with blocking radio waves from all sorts of metallic devices. There have been studies on this.

All in all, this is a good effort at a solo career and direction to take to expand your knowledge and musical tastes to an individual.  I’m interested in what direction this will go.  I hope that sometime in the future Gerard puts out more music of his own for sharing.  Other songs on the CD to check out are “Zero Zero” and “Drugstore Perfume”.

Enjoy the videos and the interviews posted for this album.

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General Overview of Older Reviews


Since the beginning of this year, I’ve had an overloaded plate and at some point due to many issues, I just couldn’t keep up.

But slow change is happening, and since the reviews I had been working on are 6 months or older now, I’m just going to give out the artists’ name/band name with a link to read about the music and that kind of thing.  I’ll just make a comment about the music, but it’ll be more or less “general”.  I want to leave it to fate and what consumers want (that means you!).  Whether it’s a name of a person/band that sucks you in or just being curious as to what kind of person/band with that name has what kind of music?  Either way, it’s your free will to choose what you do.

One final note:  I do have 2 new reviews that will be posted separately over this long holiday weekend – both are Vancouver BC based artists Sex With Strangers and Rec Centre.

Mother Mother

Hill and the Sky Heroes** (see below for contest)

Jesse Sparks

The Gromble

The Red Button

Seth Swirsky

Taz Taylor Band

Cubic Feet

Infared Sunday

**Hill and the Sky Heroes are on Audio Blood Media, and thanks to the AB Team, I just happen to have 2 extra copies of the CD and if you’d like one sent to you, just answer me this:  1)  who is the force behind this CD and 2) name 3 other artists who this force has worked with and on what kind of project (music, film, art, etc.)

Send an email with your answers to:

jadedphotograhy@me.com

Deadline is September 20th, 2013.  The first correct entries win the CD.  Please remember to include an address to send the CD to in your email.

Mother Mother “The Sticks” is my favorite CD this year hands down.  I love the progressive nature of this band so much it hurts.  The lyrics are always stark and stripped down but remain mysterious to individual listeners.  The opening track OMENS is downright ominous and creepy , but there is a lingering question mark at the end of that song that leads directly into the title track THE STICKS.  I can’t explain how a song can make you think of a question mark.  It just is.  I’ll be playing those 2 songs at the infamous Halloween party this year out in Surrey!  The music does lighten up and take on more happy but melancholy tones  (musically) but lyrically it could go either way.  I would describe the vibe/undercurrent of this CD in 3 words:  On the edge.

Hill and the Sky Heroes is another example of a progressive artist and band member with other impressive credentials to the name Hill.  I had never heard of this band but the talent that is bursting out of this CD is like a water deluge of biblical proportions.  It’s overwhelming at first.  If you like whimsical, edgy and a life being lived fully kind of music, this is a must have for your Indie music collection.

Jessie Sparks is originally from Melbourne Australia where she is based out of today.  She did live in her early teenage years in Illinois, Iowa and New York State in the US where early on she had a huge talent for singing and pianos.  This 5 song EP is worth a listen and download from iTunes.  Great blues vocals reminiscent of Janis Joplin, Odetta and Billie Holiday.  Good timing, upbeat melodies for the most part and a fantastic voice highlight this Blues artist – and if you like Blues, you’ll want to add this to your collection.

The Gromble have that throwback music from the 1990’s.  Not a bad sound if you’re in a longing for the 1990’s.

The Red Button is a Seth Swirsky collaboration.

Taz Taylor Band is pretty much good rocking music.  Check out the link above to find out more.

Cubic Feet and Infared Sunday have good solid music you should check out by following the links above.

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I want to thank Audio Blood Media and Luck Media for their patience while I’ve been AWOL with medical issues.  You guys rock!  And its good to be back!

EP review and Interview – The Nursery – Carnival Nature


An indie band in Toronto called “The Nursery” has completed their new 6-song EP called Carnival Nature.  Alex Pulec is the main driving force behind this band (and he is formerly of the band The Ruby Spirit where he was asked to leave).  He’s a very talented individual whose skills are all over the internet.  If you google his name, watch what comes up.  Amazing.  I hope to meet him personally in the future.

The EP was produced by Tony Malone, and when I heard this EP I knew that it had been mastered by Joao Carvalho (David Vertesi, Shad and By Divine Right) whose mastering skills are just amazing. The EP was released on 29 June 2013, and the links for Tmblr and Bandcamp are listed at the end of the review, as well as a video.  Another ally in the project is Nathan C. LaLonde (photography), whose personal site is worth a serious look.  He is definitely someone who I’d like to meet in the future.  I love his work!

Photograph taken by Nathan C. LaLonde

Photograph taken by Nathan C. LaLonde

I had a chance to ask Alex Pulec and Victor Ess some questions and their responses are as follows:

How did you form your current band “The Nursery”?

Alex: The band developed between a collaborative relationship between Victor and I. We had gotten into this habit of spending evenings ditching parties and events early to go work on songs. Eventually we realized a whole set of music had been written and we started getting excited. After having the songs ready we needed to find musicians to bring them to life and perform so Victor brought Nate in and I brought in Jared.

Where did the band name come from?

Alex: To me a Nursery of any kind represents life as much as it represents death. I love the play between light and darkness. The pleasant and the macabre. Those dualities always find their way into our music. It seemed appropriate.

What drove you to leave your last band “The Ruby Spirit”?

Alex: I never left. I was asked to leave. Too many cooks in the kitchen to make a loaf of bread.

Most artists have a “process” for writing songs. How do you write your songs? Do you concentrate on the melodies, or the lyrics, or the entire structure of the song?

Alex: For me it usually starts with an impression of an idea or a hazy image. Sometimes it’s a melody with words or sometimes it’s just a sound. I like to allow the idea to lead me further and further into what it’s supposed to be. It gets shaped in the process of trying to discover why this bit of music is having such an effect on me. Eventually the pieces start falling into place as you get closer. It always gets shaped even more with the band before it can be called finished.

Victor: I’ll often have a basic skeleton or structure in mind, or perhaps a particular melody or vibe that I want to emphasize. If I don’t have a completed idea, Alex and I will usually take an evening to work on it together and help it take shape.

As an Indie band in the land of social media, how do you find gigs to play?

 Alex: I have used social media to connect with bands that are based out of our town to swap gigs with. I see Twitter as some sort of ice breaker platform to get in touch with bands, promoters or venues that may seem out of reach otherwise. It’s great to use if you are booking all your own gigs and don’t have someone handling that yet. I also really like putting on shows with friends and other bands I love from in and out of town. It’s fun to put on shows with your friends. I feel it resonates with an audience on a level that feels honest and genuine. Pulling together with people for something feels good. Trying feels good.

What’s your take on supporting yourself in an Indie band in the age of social media and networking? Do you find it works to your advantage or disadvantage?

Victor: Social media done right can actually be really effective. I find a lot of people trying to promote themselves, bands or otherwise, put in the bare minimum with social media/networking and it comes off as disingenuous, like they’re just going through the motions cause everyone else does it. Nobody wants that. I think social media is great because it really gives you a chance to share your journey and tell your story to people.

 Alex: It’s discerning between ASKING for things or GIVING to people. Focus on giving not asking. Social Media is free. Give it away.

What have you “personally” learned and sacrificed by being a creative artist through your life so far? And how did you incorporate that lesson or emotion into a creative expression?

Victor: I’ve turned down some great job opportunities because they might have cut into my ability to make music. Same thing with relationships. I’m doing this because I love it, plain and simple.

 Alex: You have to genuinely love your art or else you’ll start to resent it when obstacles come in your way. And they will always come, because it’s not easy. There is no set path to follow. You need to cut your own. It’s always easier to travel in the dark with something you love.

Because of the over-saturation of DIY bands in the Toronto area, how will your band stand out above the other bands?

 Alex: I don’t believe it’s over saturated. Just under exposed.

On the EP, Carnival Nature, you name many other musicians who play and arrange – who are the other permanent members of The Nursery, and what instruments do they play?

 Alex: I never made a record that had so many people on it. It was like a making a film with big cast of characters. Tony Malone who produced it served as the director and helped organize everyone’s contributions. He also did the horn arrangements. I asked Athena Babayan to sing harmony on This Wild Heart to get a ghostly female voice on it. Her parts are some my favourite bits on the record.

Victor: From the beginning I have been a permanent member of The Nursery but ended up taking over the synthesizers instead of bass on ‘Carnival Nature’.

 Alex: He was kind of our Brian Eno to Roxy Music on this record programming most of the odd sounds and atmospheres that swirl around the songs.

 Victor: Sam Morton, a great bass player and friend of ours handled bass while I did all synth work. Now I play Bass, synths, sing harmony and any other effects or sounds that I can get my hands on.

Alex: Now The Nursery consists of Nate Finucci on drums and Jared Roth taking over keyboards as well as myself and Victor. They both bring such a different and fresh energy to the whole thing. We have started to work on an LP together.

What bands/artists/performers have inspired you musically and creatively over the years?

Alex: There are too many to list and even talk about. But I often take a lot of my inspiration from films, poetry and spontaneous discoveries in my everyday life. Sometimes a child yelling a strange sentence on the street may inspire an idea or lyric.

What was the inspiration for the song “This Wild Heart”? I find this song very interesting musically as well as lyrically….

 Alex: It was a combination of old western songs and the work of David Lynch initially. Lynch is a master of creating a surreal world that consumes you and that you can get lost in. So I tried taking this approach to a seemingly familiar song format by putting it in a whole new context. Victor and Tony’s textures are really what creates it’s juxtaposed and hypnotic environment. Lyrically it’s about coming to the realization that you are completely bound to someone regardless of the journey you’ve had with them and weather you like it or not.

You yourself play many instruments including the Mellotron on this EP. Which instruments are your favourites to play onstage and off-stage?

 Alex: Onstage I play guitar when I sing. It’s most fun and comfortable for me. I sometimes play Theremin onstage with my guitar when I can. That’s the best. You need a large stage to even use it properly, so it doesn’t always happen.

The members of this band are:

Alex Pulec – Vox and guitar

Victor Ess – Bass

Jared Roth – Keys and Synths

Nate Finucci – Drums

The song listing for the EP is as follows:

1.  Lysergically Yours

2.  It’s A Sin

3.  Lucy

4.  Domino

5.  This Wild Heart

6.  I Was I Was Someone Else

“Lysergically Yours” is pure kitschy and chaotic.  Progressive, edgy and with a touch of fun mixed with madness and fears, it’s a song about overpowering someone who is perhaps more passive.  There is symbolic duality in the melody of this song which gives it a fun but mad feel.

‘It’s A Sin” is a bold and brash song which is pure progressive psychedelia pop.  The melody is strong and makes a bold statement as the vocals wrap around the words beautifully.  Again, there is duality in this song which I think of as good versus evil but it’s more lyrically than musically.  Musically the song is upbeat and on the bright side.  Perhaps that’s another duality of the song itself.

“Lucy” has a good beat, is upbeat and chaotic in spots but these unusual spots hit a nerve when you realize that this is about life versus death (suicide).  The music belies that fact which is a brilliant disguise in song structure!

“Domino” sounds like a death dream that one lives in a song, if that’s possible.  Duality in life and death, whispers, Munster-like music which symbolizes being hypnotized while dying as the eyes close on life.  One of my favorites on this EP!

“This Wild Heart” is another favorite.  Sounding like southern psychedelia pop with vocal work by Alex this song reminds me of cowboys who have had a hard life and can’t be tamed in anyway, but instead, find a kindred spirit in the melody of songs.  I really like the big sound to it as well as the feel of the music.

“I Was I Was Someone Else” is a ballad like song but instead of being a traditional ballad its again a duality of being ignorant of one’s feelings about another person.  We all grow and become older and may change our lives, but, internally, we don’t change  our personalities.  This is one of those songs that makes you think about how you’ve treated past lovers and yourself.

The EP is everywhere, but the Bandcamp link is provided so that you can buy the EP right from the band without a middleman.  You can also visit the blog on Tmblr for info on the band and follow them there.  There is also a link to see video on YouTube below (produced by Nathan C. LaLonde).  I invite you to have a visit to Nathan’s site Eccentric Exhibits.  It’s a very interesting site of artwork, photographs and video works.  Other artwork on the CD comes from photographer Genevieve Blais (who has a website you should visit) and Amy Janine Wong sketched out the poster which is awesome.

CD Review – Mystery Machine – Western Magnetics


Mystery Machine – Western Magnetics (Sonic Unyon Records)

Released: 11 September 2012

By Jade Sperry

Formed in Chilliwack BC back in 1990, Mystery Machine are still kicking out their jams. With their new CD Western Magnetics released a few months back, they did a short tour to follow up their CD and celebrated their CD release show at the Astoria in Vancouver back on October 13.

The band have released 3 prior albums called Glazed (1992), Ten Speed (1995) and Headfirst Into Everything (1998). They’ve been on a hiatus of informal means and have recently signed on with Sonic Unyon Records (in my hometown of Hamilton ON). This new beginning has also given birth to a new album.

The current members are: Shane Ward, “Bean” Chris Switzer, Luke Rgalsky and Mario Nieva. Original band member Jordan Pratt appears on 5 of the 10 tracks. This was recorded between 1999-2011 at 3 studios in Vancouver: Mushroom, Slack and Big Midet with Vince Jones, Blair Calibaba and Tim Oberthier handling all production duties, and Noah Mintz mastered it at the Lacquer Channel.

CD Cover art

Track listings are as follows:

  1. Pronto
  2. Japanese-Dads
  3. Runaways
  4. Octagon Skylight
  5. Floatist
  6. We Won’t Return
  7. House On Fire
  8. Snow
  9. Bullshit Patrol
  10. Northern Analog

The first track “Pronto” is a fast edgy song that has a lot of fuzzed out guitars and a wall of music – much like the early 1990’s movement in bands like Sonic Youth, Nirvana and My Bloody Valentine to name a few.  Speaking of “Have you seen the world?” is the question through the song that a listener has the chance to answer for themselves.  “Japanese-Dads” is a similar song in musical style but there are no lyrics – just a good song with a happy uptempo and decent melody. “Octagon Skylight” is a ballad type song that proclaims “you’re alright/i’m your maker/you can’t deny/things are changing now”.  I like the melody of this song as it’s very smooth and re-assuring in a calm way.  This song is mixed well.  For the most part, this CD takes you back to the 1990’s in a friendly way.  The other standout songs are “Snow” and “Bullshit Patrol”.

All in all a good CD and a welcome return by Mystery Machine.  If you’re into the ’90’s alt music, this would be a CD you’d like.

CD Review – Hands and Teeth – Hunting Season


CD Review – Hands and Teeth – Hunting Season

Released: January 2012

by Jade Sperry

Hands & Teeth are  Kevin Black, Adam Kolubinski, Derek Monson, Natasha Pasternak and Jeff Pint and for the time being they live in Toronto.  Their release of Hunting Season is a good progression from Enjoy Your Lifestyle from 2010.    One thing this band does well is the harmonies.  Finding people to harmonize well with can be quite hard.

Here is the track listing:

  1. It’s Coming Back
  2. All That Was
  3. Le Petit Voleur
  4. Sound of Hamilton
  5. Missing
  6. Parallel States
  7. Hunting Season
  8. Song 8

The lead-off track  “It’s Coming Back” has a melodic sound which gives it a very whimsical feel.  It reminds me of someone who has come 360 degrees in their life and are looking back on the darker thoughts.  With lyrics like “We know what you are”,  “I hide in the dark” and “Scars are fading fast” sounds to me like someone has gone through something traumatic in their childhood. “All That Was” starts with a whimsical melody that builds into the bridge and chorus – and with lyrics “I can’t see out of this haze” leads one to believe they are in a state of confusion.  Lovely piano work at the beginning and end of this song.  “Sound of Hamilton” is a song close to my heart as it’s a song about my old hometown Hamilton ON.  And I have to say that lyrically and musically this song is spot on.  The melody and the total song itself sounds creepy – almost like you just went to Dundurn Castle and got spooked out and ran for your life in the downtown alleys with only the thought of “getting out” before it’s too late.  “Missing” is a fairly upbeat song but with a melancholy melody that is slightly off key and reminds me of the Detroit sound (The Ronnettes) in the first verses.  The lyrics speak of “you try to see the whole world and suddenly it’ll bring you down” because you may not be aware that our culture is now global in the 21st century.  I really like how this song flows – almost like water.  “Parallel States” has wonderful harmonies which weave through the song and make it sound alive.  There is really good depth from the middle of the song to the end.  “Hunting Season” is uptempo and has quirky lyrics that sound like they have a bite to it.   I really like the male/female tradeoff in the song as well as the guitars in the beginning of the song.  The melody is very warm, positive and inviting.  The bridge is slowed down to vocalize gently and then the song evens off.  This is song the one I like the best.  It’s the way that the song is structured by lyrics and melody.  And the last song “Song 8” starts out as s spooky melody however it ends up as a laid back song.   The lyrics are whimsical with just enough spook to it.  This band pulled off that song very well.

I’d rate this CD at 8 out of 10.  Song structure, melodies and harmonies are really well captured in this 8 song CD.  If you like good music that is frantic, lazy and down to earth, then this band is for you.  Any one can easily identify with subjects within the song.  If you like Hey Rosetta!, David Vertesi and Mother Mother then you’ll probably like this band as well.  I’m looking forward to more songs from this band.

A video for your enjoyment from Hands & Teeth –  “Hunting Season/Sounds of Hamilton” – an impromptu performance at Toronto’s Capital Expresso.  Video shot and edited by Mitch Fillion.

Jesse and the Dandelions – CD review of “The Lions Tooth”


Jesse and the Dandelions – The Lions Tooth

Download the album here for FREE:  Download THE LIONS TOOTH

Released:  February 15, 2011

by Jade Sperry

Congratulations to Jesse and the Dandelions for being the 100th post here on WP blog!!  Thanks guys for this milestone that I share with you!!

Jessie and the Dandielions

This trio of musicians come from Lethbridge AB and they are Jesse Northey, Nick Vedres and Tyler Stewart.  There is an interesting story of Jesse when he was younger – he was a figure skater who was the best and the only boy who did such a thing and was known in Fernie BC for figure skating.  But, when Jesse was in grade 7, kids starting beating him up because of his passion for skating.  So he got his parents to get him an electric guitar which was a bright blue strat knockoff – a “Yamaha Pacifica”.

This band is inspired (and have toured with) Hey Ocean!, Attack In Black and We Are The City.  They have some exposure from their debut on CBC Radio 3, Canadian community radio stations as well as Alberta’s CKUA.  And they bring in the banjo and harmonica along with electric guitars.

The CD is on Esper Records, which is an indie label from Lethbridge AB.

They have their first album of 9 songs and the list is as follows:

1.  Advice

2.  Bible and a Gun

3.  Cait from L.A.

4.  Every Move a Picture

5.  In Limbo

6.  Lion and a Bird

7.  When You Die You Get A Planet

8.  Where The Wild Things Are

9.  Van

This is a really good tight musically driven band.  The music reminds me of Bob Dylan meeting Jet (from Australia).  “Advice” has a good melody and is stripped down instrument wise.  And they have musical breaks that are in time and on time.  I can hear a Nirvana influence in the guitars and it sounds really awesome in this song in particular.  Fast paced and funky with a dash of Nirvana.  “In Limbo” has a Spanish flavor in the melody.  The song is mostly in minor notes which give it a darker side but in a subtle way.  (“Torn between the yes and the no”) is a good way to describe most people in this day and age.  And it  just sounds so damn cool as do the guitars in the middle.

All in all, I really dig the music in general.  The only downside for this writer is the song “When You Die You Get A Planet” which has a melody and opening that is very much like the band Jet with their song “Are You Gonna Be My Girl”.  Other than that, I think this band could go places as long as they are dedicated to the music.  Another song that is very good is “Van” which is live off the floor.  Great sound!

I’m looking forward to seeing them tomorrow night in Vancouver at the Whiskey Dix.  They are also playing in Victoria tonight (February 24) so if you need a place to go tonight for a fun atmosphere, check out Logan’s Pub.  Band is on first so get there early!

They are playing a show tonight n Vancouver at  Whiskey Dix w/ Community Trees and My Dearest Friends

A live video of Jesse and the Dandielions with a song called ONLY A ROCKET CAN SAVE US on Vimeo.

Interview with … Vancouver band The Niche’s Gabriel Savage


In early September, I had just sent out interview questions to a few people when I had to stop all work and ended up in the hospital due to a major drug reaction that took me down literally.  I’m at home and recovering now, but, I’m kind of in a weakened state due to the burns on my legs and feet.

I have just received these back from Gabriel Savage of the Vancouver band THE NICHE who were the Band of the Month with CFOX this past October 2011.  There is a lot of buzz about this band because they are a performance based band with terrific music.  They don’t have a lot of music online yet, but that’s only a matter of time before that happens.

I’m reviewing a song that was sent to me called “A LA RUE” which sounds like a carnival trip on the psychedelic side of life.  I’m reminded of 1960’s band The Doors, but, Gabriel takes the song and makes it his own vocally.  I’ve seen this band in action onstage and they are dynamite! Kaylar definitely rounds out the band with her odd sounds from the keys or her sax, Ryley does a great rhythm and lead guitar in this song, new member Chris is funked out with his root bass chords through the song and Mario’s drums carry the song on into infinity.  I really dig this band and its not hard to figure out why.

The current lineup is as follows:

Gabriel Savage – Vox

Ryley Kirkpatrick – Guitars

Chris Seversen – Bass

Kaylar Chan – Keyboards/Sax

Mario Beer – Drums and percussion

The Niche

The Niche live @ the Railway Club, Vancouver BC – photo courtesy of the band

What goals in relation to the band are you setting now to work towards over the next year?

We’re working towards releasing our EP within the next six months. We’ve just trained a new bass player so we had to take a break from recording for a while. We’re hoping to be able to get everything done by Spring. The songs are all there and ready, now it’s just about having the funds and resources to back us in the process.

What personal goals has the band as a whole achieved in the last year?

For the most part, we’re happy with where we’re at. Everyone’s enjoying the stages as they come and are looking forward to the next steps. Being Fox’s Band of the Month for October had its benefits, and so does playing shows regularly. We’re always happy to hear the good things people have to say after we play for them, so that’s always a bonus. As far as goals though, we’re just happy to have come this far in only a year, and are looking forward to the next stages of our career together.

As a band, what has been the best thing that has happened, and the worst thing?

The best thing is that we’re all still playing with each other and are enjoying our time together. Like I said, it’s always great to hear such positive feedback; it keeps us enjoying what we do knowing that others are enjoying it also. I can’t think of the “worst thing” yet. I think everything has happened in good time and for a good reason.
At first it was a bit of a drag losing Cory and having to go about finding a suitable replacement –which always takes a long time— but now that we’ve got Chris on the team it’s been really great. He’s been a great addition for the band and we all really enjoy working with him.

How do you see the current state of the Corporate Music Industry? Do you think it has changed since the “old” days before the internet? And, how do you feel about the DIY bands that are becoming mainstream? (arcade fire for example)

There’s no doubt that it’s changed, but that’s the way things have to happen. We have to evolve with the world around us. That goes for all aspects of the media. These days, if you want something, you’ve just got to work all that much harder for it, which makes it all the more worth it when it finally happens.
Arcade Fire are doing really well for themselves and that’s great to see.

Do you feel that the band has control over how your music reaches the fans? And if yes why do you feel this way and what factors into that?

Yes, being Indie has its benefits. There isn’t a lot of censorship, and we can pretty much say, do, write, and perform anything we want without any legal binds. There’s no doubt that it would be easier to reach people if we had all of our ducks in order (a finished album/EP/quality videos, etc) but right now, we’re doing everything on a real tight Indie budget so it does make it hard to do the right things all at once.

How would you describe your music to someone who has never heard your music before?

The mood I get from it is a sense of being aware but not quite at home with your surroundings. Kind of like a sailor who goes out to sea, prepared for the storm, but not necessarily ready for it to happen, you know what I mean? It’s got sort of a heavy, dark, gloomy feeling, but there’s more to it than that. There’s a sense of depth that people probably won’t hear if they’re just dancing or drinking at the bar, but that’s not to say they won’t enjoy it. They just wont walk away as satisfied as the people who were paying attention. I’d really like to try something a little different than what we’ve been doing. Maybe a couple hip-hop tunes, or something considered more “Pop”, just to give it a try and show people that we’re not stuck sounding the way we do, we just choose this sound over others because we feel it gets our message across in a way that isn’t really being done these days.

The Niche on tour – photo courtesy of the band

Who are the primary songwriters in the band?

So far I’ve written all the lyrics, but as a band we all of an equal say in the songwriting process. Sometimes I’ll come up with most of the idea on a guitar or bass, but after the initial blossom I usually pass the idea on to Ryley or Chris to give it some extra flare. I use instruments as more of a songwriting tool. That’s why you’ll only ever see me with a microphone and maybe a maraca on stage. (laughs). Although I do have a harmonica mic, but I just use it to achieve a sort of Tom Waits vocal effect, kind of like a megaphone.

Collectively, how does the songwriting process within the band go? Do you jam it out in rehearsal space?

We all work together to write the songs. Most of the time it starts with lyrics and a melody, but there are a handful of songs that have emerged from just a guitar or bass lick, or some sort of sound from the keyboards. Usually I’ll come into a session with an idea, and then the band will work some sort of arrangement around my lyrics. It all comes together pretty naturally though, it’s really quite a special process to be able to be involved in.

How did you come up with the band name?

I got the idea from “The Birth of Tragedy” where Nietzsche talks about the artistic elements of the ancient Greeks. ‘The Niche’ is meant to refer to the joining of the two different opposing art forms, that of Apollo, god of structure and stability, and that of the more dreamlike & ecstatic creations of Dionysus.
We’ve got an interesting balance of artists in the band, we’re all very different from each other, yet are perfectly suited for each other creatively. I think the name just really sums us up to a point that no other name would be able to achieve. Anyone who reads the Birth of Tragedy will probably get a pretty good idea as to what it is I’m trying to do.

What is your opinion on the music scene in Vancouver? Do you feel that there are enough venues for bands to book shows? And is there a lot of competition as well?

There are lots of venues and lots of bands to play them. There are a handful of swell promotion companies out there, however not many of them have touched us because we’re considered “too different” from most of the other bands in the circuit. I don’t blame them though, we haven’t got enough quality tunes online to really give the promoters an idea of what we’re about. So it’s been a struggle, we’ve had to book a lot of our own shows or team up with bands that we’ve become friends with. But its been fun, I’ve got no hard feelings, I’m pretty patient and forgiving! (laughs)

What bands/singers/songwriters did you all listen to growing up? And why are/were they important to you now that you’re in a band?

We each come from different musical and artistic backgrounds which, when blended together, sound like something that isn’t quite jazz, isn’t quite funk, and doesn’t fall under the typical blues structure, so we’ve been calling it ‘Sonic Rock’. Just sounds, man. A lot of the music is written to be a sort of soundtrack to the lyrics and images we try to convey with the songs.
I can’t really speak for everyone else, but my biggest musical influences were Elvis, Sinatra, and Johnny Cash. One was a performer, the other could croon, and man, could Cash tell a great story.

Before this band you had another band – what happened to Kick The Ashes?

Yeah, I joined Kick the Ashes as their songwriter. It wasn’t really my project, I was just another member. We were together for just under a year until we decided it was time to kick the bucket on Kick the Ashes.

How did you meet all the band members in The Niche? Are there members from Kick The Ashes?

I met Ryley and Mario through Kick the Ashes. We started playing with each other again in 2010 and decided to form another band. From there we had auditions for a bass player, and then Ryley’s girlfriend, Kaylar, came into the picture as the keyboardist & saxophone player.

What’s the best part about being in The Niche?

I just love that my words are being put to use, It’s great to have the opportunity to be able to present your artistic creations in such a personal and engaging manor. It’s really quite special. Plus, it’s awesome having the opportunity to work some of my closest friends on such a regular basis. I don’t think I could ask for anything more, except for maybe a good record contract, that would sure help us out financially! (laughs)

You can find The Niche at the following locations:

The Niche website

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