Video Review – The Nursery – Lysergically Yours


Toronto band The Nursery released a new video from their EP Carnival Nature called “Lysergically Yours” which hit their YOUTUBE channel on July 9, 2014.  They’ve been touring and doing shows from Toronto to Buffalo and back again.  They just met a new band member, Jocelyn, who is their new drummer, and life couldn’t be better than it is with lead singer and guitarist Alex Pulec right now.  They are recording new music, planning new tours and maybe a surprise or two along the way.  I had the pleasure of contacting Alex and doing a fast Q&A with him just a few days ago, and here’s what the interview went down as by email:

The Nursery, July 2014.  Photo by by Geneveive Blais (copyright).

The Nursery, July 2014. Photo by by Geneveive Blais (copyright).

Jade:  You’ve been doing quite a few shows in Toronto and Buffalo recently.  Which gig has been the most fun for you and why?

Alex:  You can see Toronto across the water in some parts of Buffalo. It’s not often you get to peer at your home from that far away while bring in another country. We’ve met some of the most amazing people there, for example we’ve met producers, engineers, show promoters and artists alike. We’re really excited about our next Toronto show at Lee’s Palace in Toronto on August 15 as well as a show on August 8 at The Hub in Oshawa.

Jade:  You mentioned that there is a new band member.  How did that come about and what are the details on the new band member?

Alex:  We were in between starting production for the video Lysergically Yours and the moment it was finished, we started working with our new drummer, Jocelyn. That’s why you can’t see her in the video.  The change was very amicable and we’re looking forward to adding Jocelyn’s new energy into our songs.

Jade:  Are there any new plans on new music coming out soon?  And if not, when do you think that might happen?

Alex:  We’re recording an exciting batch of new songs right now that we’re planning to release in the fall of 2014. We’ve been mostly working out of GCR Audio in Buffalo. That city has an energy that no urban town or cabin in the woods could ever come close to.

Jade:  How did the video of “Lysergically Yours” come about?  Whose idea was it and how did it all come together?

Alex:  I had the visual ideas and sketches for a face to be covered in coloured “Jimmies” around for an independent photography project I was planning on doing a year ago. “Jimmies” are the actual name of those tiny multi-coloured sugar shapes, typically rods and balls.  When it came up that we were going to do a video for this song, I felt those ideas fit much better with the colours and mood of the music.  We collaborated with Toronto photographers Devon Stewart and Genevieve Blais to help crystallize and capture the vision.

Jade:  What’s coming up in the future of The Nursery?

Alex:  More new music, more touring and a maybe an 8-bit style video game with Famicom versions of our music for the soundtrack.

* * * * * * * * * * * *

Sounds awesome and a game plan of some sort.  Whatever the final outcome, I’m sure we’ll all enjoy what The Nursery come up and out with.  Great musicians and great visual ideas in general for the two videos by this band so far.  I personally can’t wait to hear some new tunes in the fall from this band!  And to see more artistically creative videos.

The video is really well done.  The funny thing that stands out in this video are the coloured candy bits on those sugary doughnuts, the “Jimmies” which I never knew the name of and I will remember that.  I have to say that when I first saw this video, I was laughing because I found what they were doing was funny, but in a good way. Anyway…..the band is in a room that is covered in aluminium foil (much like Andy Warhol’s The Factory was like from 1965-1969) which I thought was a good move as Warhol was a visionary artist much like Alex in some ways.  The band performs the song and in some parts it’s kitschy and fun.  You can tell all members of the band are having fun.  This video is kind of like Warhol’s Factory in the sense that adding simple props to make it seem timeless in some ways works well. Devon Stewart and Genevieve Blais have given the video artistic life in a sense, as well as the original idea by Alex. Photographers are some of the most artistic people I’ve ever met and can be an added value to any video setting.   I especially like the goggles worn by Jared Roth on keys – gives it a good feel with the silver background.  And Victor Ess’s haircut is a big plus as it just looks good on him playing bass.   And then there’s those candy sprinkles (Jimmies) around the mouths of Alex and the mystery lady…..have they been eating the same doughnuts?  And, are they Lysergically each other’s mate?  I could guess but I’d rather revel in the mystery.

Isn’t it funny how sugar, music and candy sprinkles, or “Jimmies”, look good in a silver room with a rocking good song?

The video is right here – let the band and myself know your thoughts on it by sending some comments!

Review – Comasoft – Ropes on Fire


comasoft

Comasoft is a pop rock band from Chicago, IL that have some keyboards, guitars and a weakness for the 1980’s – mostly because fuzzy keyboards and Brian Adams riffs should never go out of style and we don’t want to live in a world where they are.  Comasoft is currently booking shows, playing everywhere their 20 year old van will take them and trying to rule the world.   So come and join us in bringing back rock-n-roll, general debauchery, and fun!   Comasoft sound like Kill Hannah, Placebo, New Order, Madina Lake, The Cure and AFI.  This EP was recorded and mixed by Chuck Mack (of Ghosthouse fame) at Ekectrowerks, and all photos courtesy of Kenra Sandsmark.

The members of the band are Jay (vocals), Crispy (bass and keyboards), Adam (guitars), Jimmy Con (beats and keyboards), Chris2 (drums) and finally Bilty who might drive the van a few times and does a lot of other things. Possible roadie?  No one seems to know.  He’s the mystery member of the band.  Comasoft’s music has been on the following TV programs:

Mtv – Ten on Top, and The Seven (Atombomb, Never the Same, and One to One)
HGTV – Design Star (10Volt)
Bravo’s upcoming show called “Fashion Hunter” (10Volt)
Canadian TV show – Degrassi (Put up a Fight)

Comasoft 1396571257_WhitePressShot_ROF

Comasoft have several EP’s and LP’s and do quite well for themselves in Chicago and would like to become a national (and eventually an international) name in their native US of A.  They’re a typical bunch of crazy dudes having fun and living life the best way they know how.  Their new EP is pretty stellar so let’s check it out.  The track listing is as follows:

1.   West Town (featuring Anthony Bagnara and Makeshift Prodigy)

2.   Waiting In Vain

3.   I Won’t Tell If You Don’t

4.   Bang

5.   All I Wanted (Acoustic)

6.   Lights Out (Acoustic)

7.   Waiting In Vain (Acoustic)

“West Town” has a really good melody, catchy hooks throughout the song (with guitars and keyboards) and is performed well by all members.  “Ropes on fire/I climb higher” gives  me a clue that when the heat is on, this band gets it on and goes the distance and beyond.  “All my friends try to tell me no/They see me break and they tell me so/And when I reach out to hold your…../All of my try to tell me no” can be seen many different ways by many different people.  Keeping the lyrics general is a good thing in this song as this could be seen by friends that you’re trying to help out by giving them advice which can lead to other things (mostly bad in this case) in the long run of any relationship.  You need to think for yourself.

“Waiting In Vain” starts out with a cool little guitar riff and explodes with the other instruments joining in.  “When you start to shake/When your hands grow cold/And your eyes stare off into space/I got you/ Why don’t you/Understand me when you’re falling/Well I’m still waiting/Waiting in vain” are some pretty great lyrics about how someone can feel about another person.  It could be early in a relationship where you are waiting for something to happen or looking for a sign.  Or a friendship that is changing into a relationship and you’re still not too sure about whether to take it to the next level.  The music is really well suited to the lyrics which makes in a stand out song on the EP.

“I Won’t Tell If You Don’t” is choppy song musically which features a good bass riff with starts and stops in all the right places.  “I won’t tell if you don’t/Just how far we could go” is a bit of a mystery and again is general in its meaning.  It could be many things which my gutter mind thinks of and I probably wouldn’t be far off the mark. It’s a well done song.

“Bang” is a really good song lyrically and musically.  “Your bullets/With my name on one” and “Bang/Now I’m dead on the floor/Bang/Now you got my attention/Shot through me” makes it really clear what’s going on in the song.  And the melody is a fast paced one with good backing vocals in all the right places.  Great song!

“All I Wanted” has some really good vocal work by Jay.  I really like his voice fronting the music.  The emotion coming out of him is evident in this song.  As it’s an acoustic version, you can really feel the words sung by Jay as the music is stripped down.  “All I wanted to say/I didn’t want it to end this way” pretty much sums up a lot of emotions in one song about a relationship that ended in failure, abruptly and possibly soaked in emotion.  Well done!

“Lights Out” seemed so familiar to me when I first heard this song.  Such bare bones with only an acoustic guitar and a few keys added in to make a point.  This song makes me think of close friends who have passed on in some tragic way that is shocking.  It’s a very well done song that is sad and plaintive in hearing Jay’s vocals.

“Waiting In Vain” the acoustic version is very well done.  Same lyrics but stripped down, it has a sad quality to it which comes across in the vocals by Jay.

All is all this is a stellar EP and just proves that this is a band that is working it’s way up in the Chicago scene and could quite possibly take on national recognition in the near future if they keep doing what they do best – making good music that people can relate to in whatever way possible and by being themselves.

The other music they have out on iTunes or from their website are:  Burn to Shine EP, The Beautiful Departure EP, Impulsive EP and Comasoft (self) LP.  You can find all this awesome music on iTunes US and Canada or you buy it on the bands’ website.

If you’re interested in booking the band for a show, you can contact them through their management team at:

Blue Amp Management, Francesca Campobasso by email:  francesca@blueampmusic.com (also, pleaes cc email to comasoftinfo@gmail.com).

Here is a video from their Burn to Shine EP called “10 Volt”:

Review – City of Glass – The Modern Age (2013)


David Phu and Michael Champion.

City of Glass, a Canadian duo comprised of Micheal Champion and David Phu, two long-time friends and opposite personalities, COG was born in Vancouver and cut its teeth in Berlin and across Germany.  Drawing from older dark pop favourites (The Cure and New Order) modern inspirations (Foals, The Whitest Boy Alive) and a love of electronic music, COG have crafted a unique and memorable sound on their debut LP The Modern Age.

In the last years, COG performed for enthusiastic audiences in the UK, France, Germany, Czech Republic, and across Canada. The band was honored to perform at landmark venues in London, Berlin, and Paris, and at festivals in Prague, Luxembourg, Toronto, Victoria, and Vancouver. Their recent visit to Prague included a five song showcase live on Czech national television.  City of Glass, a Canadian duo comprised of Micheal Champion and David Phu, two long-time friends and opposite personalities, COG was born in Vancouver and cut its teeth in Berlin and across Germany.  Drawing from older dark pop favourites (The Cure and New Order) modern inspirations (Foals, The Whitest Boy Alive) and a love of electronic music, COG have crafted a unique and memorable sound on their debut LP The Modern Age.

Songs from their brand new debut LP, “The Modern Age,” have already received much praise from major publications in Canada and the Czech Republic and from both Germany and the UK’s finest indie rock blogs. BKS Crew’s (The Union: The Business Behind Getting High) music video for their single “Tourist,” was featured on Canada’s MuchMusic television station and on Coldplay.com. Their most recent video for “The Modern Age” was created by up and coming videographer Jem Garrard (Linkin Park, Ringo Starr, Young Galaxy) who is working with City of Glass on some very exciting upcoming projects.

I’ve been a fan of City of Glass since 2009/2010.  I really love the music because it’s well constructed and although it’s reminiscent of some of my favorite bands from the 1980’s like The Cure and New Order but they also are unique and have modernized their original sound.  I’ve never seen the band live but I hope to change that if they play a show in 2014.

City of Glass with “The Modern Age” LP cover.

The track listing is as follows:

1.   The Forest

2.   Blinding

3.   Tourist

4.   I’m Not Here

5.   Wait For Me

6.   Sticks and Stones

7.  An Island

8.   The Modern Age

9.   Youth

10.  The End

“The Forest” has an ethereal quality to it.  On the slower side, it starts with bright high guitars and leads into Michael’s otherworldly vocals.   “Waiting till you think you know” and “Change what you feel is wrong” speaks to me of how we are killing our planet in many different ways and each of us has own way of doing what we do for the planet and reducing our carbon footprints.

“Blinding” starts out with sounds from a keyboard and guitars and in that begins the melody of the song and the beat follows.  I really like how this song starts out.  “Rats in a cage, travel together, breeding alone, which vein is better?”  are great lyrics which I think compares humans to rats.  Or so it seems to me.   I also like how the song unfolds throughout its life.  It’s a really well constructed song.

“Tourist” is a song that was on The Diving Bell EP, which is one of my favourite songs that City of Glass have done.  It’s a song that sounds good musically and lyrically. Speaking of broken promises/words and broken dreams it may speak of meeting someone whom you like or admire and having a falling out due to the fact that they don’t live in the same area geographically, which can be heard on any relationship.

“Sticks and Stones” is another favourite of mine and is a feisty fast paced song with guitars and keys that weave a great melody.  Again, this song is really well constructed from beginning to end.  Michael’s vocals punctuate with the chorus which gives a start stop feel to it.  “Sticks and stones, far from home, trail of bread crumbs” makes one wonder where are you/we going here?  But that’s not the point, the point is where do you want to go?  And when you go, leave some doors open just in case you fail.

And the title track for the album “The Modern Age” is a sombre song which begins with haunting guitars and a high hat.  In minor keys it gives a slightly foreboding of things to come.  “Hours and hours alone, kings upon the thrones” and “…blood spits out like water…” and also “…the illusion of control…”  are remarkable and one wonders what this song is about.  I feel that there are many things in our “modern” world that aren’t modern at all and have been re-discovered over time.  The passage of time and our bater system of money for consumer goods gives us a disadvantage because the illusion of control is that we are controlled but in a subtle way by our governments, police and judicial systems.  Is it for our own good to be monitored on CCTV constantly by big brother?  And why is technology being used against us in this “modern” age?  This is what this one song brings to the forefront for me.

Michael Champion and David Phu are City of Glass.

 

All in all, this is a really well done body of music by Michael and David.  The LP was produced by COG and Winston, mixed by Shawn Cole and Mark Angly at Fader Mountain Studio and engineered by Paul Boechler, Tom Prilesky and Winston.   Recording was also done at Spirit Vegetable and The Bunker and was mastered by Brock McFarlane at CPS Mastering.  Artwork by Michael Champion and Christoph Prevost Photography.  The LP was written and performed by Michael Champion and David Phu with Alexander Cumming on drums.  Additional vocals by Aude GL (An Island) and additional drums by Cole Godfrey (The Modern Age).

Watch some of the videos to the songs from this LP here:

City of Glass – The Modern Age

City of Glass – Sticks and Stones

City of Glass – Tourist

 

 

 

 

CD Review – Sex With Strangers – Behaviours


SWS 1Photo credit to Lindsay Elliott.

Vancouver’s Sex With Strangers released their 4th independent album late last year called Behaviours.  Unique to this album is the addition of keyboard/vocalist Alexis Young who totally changes the dynamic of the band in the creative process of songwriting.  With a trilogy of concept albums behind them, SWS are writing songs about “dystopian themes – but this time we focused on matters of a human nature – namely tension and relationships” says frontman Hatch Benedict.  He continues by saying “our hope is that people will question whether they’re actually listening to the same band from song to song while still enjoying the album as a whole”.

The track listing is as follows:

1.  Behaviours

2.  I See The Gun (And You’re The Bad Guy)

3.  Times Electric

4.  Conspirators

5.  The Brave One

6.  Machineland

7.  Blindness

8.  Terrible Things

9.  Pentagram Blues

10.  Waving My Heart

11.  Call In The Night

BehaveSWS

Let me just start out by saying that this is a CD that I’ve been listening to for 6 months.  Due to a vacation that involved numerous health issues that seem to be subsiding just now, I was inspired by this particular CD while ill due to the fact that this is a progressive, funky, crazy band which isn’t all that much different than my own personality.  That and the fact that I really like this bands’ music and their live shows are a highlight of any club gigs I go to – and they are just so damn COOL.

“Behaviours” is a song that has minor tones of music which gives it a sombre and dystopian feel.  Lyrically, this is a song about being afraid of how someone makes you feel internally and how they make you want to change – your life, your job, your feelings about life…..finding your way alone is hard but choosing to find your way with someone else is mind-blowing to an individual who never saw it that way ever.

“I See The Gun…” is a funky and fun song musically but in some ways totally opposite lyrically.  The beginning of the song reminds me of a TV theme show song but it quickly turns into something like someone you’ve known well may want to cause you harm emotionally.  Lyrics like “I don’t see the sun honey/I don’t see you smiling through the window/I just see the gun and you’re the bad guy” and “I see you slithering on the ground” gives me a good impression of what that person is really like.  It could also hint at someone playing games with you that you go along with for a while until you want serious time with that person who may not be able to give that to you.

“The Brave One” is a song that I can really relate to because in my past there was a person who wanted my “hard reaction” but being young and stupid (and possibly drunk) and having many other personal issues that could have affected the other person, I never showed any reaction.  Musically, however, Rob Zombie couldn’t do it better.  This is my favourite song on the album.

“Pentagram Blues” is musically a harder edged song that I’ve ever heard from SWS.  “Ain’t that the truth” is well said in this song lyric.  Chaos is also felt in this song as well as negative feelings like sadness and jealousy.

All in all, I really like this album as it’s a 50% departure of theme or concept albums and enters the realm of human nature and emotions involving reason, fear, torment, sex and love (lyrically).  Musically, some things have changed but in a good way as this is a band that is always moving forward – they don’t get stuck in a rut or move backwards – and that’s a good thing.

You can download the song “Behaviours” for free on the bands’ Bandcamp site where you can buy the album directly from that site as well as from iTunes Canada.  Photos of the band are courtesy of Lindsay Elliott.

The band can be found at the following links:

The official band website

Facebook

Twitter

Youtube

Video for BEHAVIOURS and other videos by the band:

EP review and Interview – The Nursery – Carnival Nature


An indie band in Toronto called “The Nursery” has completed their new 6-song EP called Carnival Nature.  Alex Pulec is the main driving force behind this band (and he is formerly of the band The Ruby Spirit where he was asked to leave).  He’s a very talented individual whose skills are all over the internet.  If you google his name, watch what comes up.  Amazing.  I hope to meet him personally in the future.

The EP was produced by Tony Malone, and when I heard this EP I knew that it had been mastered by Joao Carvalho (David Vertesi, Shad and By Divine Right) whose mastering skills are just amazing. The EP was released on 29 June 2013, and the links for Tmblr and Bandcamp are listed at the end of the review, as well as a video.  Another ally in the project is Nathan C. LaLonde (photography), whose personal site is worth a serious look.  He is definitely someone who I’d like to meet in the future.  I love his work!

Photograph taken by Nathan C. LaLonde

Photograph taken by Nathan C. LaLonde

I had a chance to ask Alex Pulec and Victor Ess some questions and their responses are as follows:

How did you form your current band “The Nursery”?

Alex: The band developed between a collaborative relationship between Victor and I. We had gotten into this habit of spending evenings ditching parties and events early to go work on songs. Eventually we realized a whole set of music had been written and we started getting excited. After having the songs ready we needed to find musicians to bring them to life and perform so Victor brought Nate in and I brought in Jared.

Where did the band name come from?

Alex: To me a Nursery of any kind represents life as much as it represents death. I love the play between light and darkness. The pleasant and the macabre. Those dualities always find their way into our music. It seemed appropriate.

What drove you to leave your last band “The Ruby Spirit”?

Alex: I never left. I was asked to leave. Too many cooks in the kitchen to make a loaf of bread.

Most artists have a “process” for writing songs. How do you write your songs? Do you concentrate on the melodies, or the lyrics, or the entire structure of the song?

Alex: For me it usually starts with an impression of an idea or a hazy image. Sometimes it’s a melody with words or sometimes it’s just a sound. I like to allow the idea to lead me further and further into what it’s supposed to be. It gets shaped in the process of trying to discover why this bit of music is having such an effect on me. Eventually the pieces start falling into place as you get closer. It always gets shaped even more with the band before it can be called finished.

Victor: I’ll often have a basic skeleton or structure in mind, or perhaps a particular melody or vibe that I want to emphasize. If I don’t have a completed idea, Alex and I will usually take an evening to work on it together and help it take shape.

As an Indie band in the land of social media, how do you find gigs to play?

 Alex: I have used social media to connect with bands that are based out of our town to swap gigs with. I see Twitter as some sort of ice breaker platform to get in touch with bands, promoters or venues that may seem out of reach otherwise. It’s great to use if you are booking all your own gigs and don’t have someone handling that yet. I also really like putting on shows with friends and other bands I love from in and out of town. It’s fun to put on shows with your friends. I feel it resonates with an audience on a level that feels honest and genuine. Pulling together with people for something feels good. Trying feels good.

What’s your take on supporting yourself in an Indie band in the age of social media and networking? Do you find it works to your advantage or disadvantage?

Victor: Social media done right can actually be really effective. I find a lot of people trying to promote themselves, bands or otherwise, put in the bare minimum with social media/networking and it comes off as disingenuous, like they’re just going through the motions cause everyone else does it. Nobody wants that. I think social media is great because it really gives you a chance to share your journey and tell your story to people.

 Alex: It’s discerning between ASKING for things or GIVING to people. Focus on giving not asking. Social Media is free. Give it away.

What have you “personally” learned and sacrificed by being a creative artist through your life so far? And how did you incorporate that lesson or emotion into a creative expression?

Victor: I’ve turned down some great job opportunities because they might have cut into my ability to make music. Same thing with relationships. I’m doing this because I love it, plain and simple.

 Alex: You have to genuinely love your art or else you’ll start to resent it when obstacles come in your way. And they will always come, because it’s not easy. There is no set path to follow. You need to cut your own. It’s always easier to travel in the dark with something you love.

Because of the over-saturation of DIY bands in the Toronto area, how will your band stand out above the other bands?

 Alex: I don’t believe it’s over saturated. Just under exposed.

On the EP, Carnival Nature, you name many other musicians who play and arrange – who are the other permanent members of The Nursery, and what instruments do they play?

 Alex: I never made a record that had so many people on it. It was like a making a film with big cast of characters. Tony Malone who produced it served as the director and helped organize everyone’s contributions. He also did the horn arrangements. I asked Athena Babayan to sing harmony on This Wild Heart to get a ghostly female voice on it. Her parts are some my favourite bits on the record.

Victor: From the beginning I have been a permanent member of The Nursery but ended up taking over the synthesizers instead of bass on ‘Carnival Nature’.

 Alex: He was kind of our Brian Eno to Roxy Music on this record programming most of the odd sounds and atmospheres that swirl around the songs.

 Victor: Sam Morton, a great bass player and friend of ours handled bass while I did all synth work. Now I play Bass, synths, sing harmony and any other effects or sounds that I can get my hands on.

Alex: Now The Nursery consists of Nate Finucci on drums and Jared Roth taking over keyboards as well as myself and Victor. They both bring such a different and fresh energy to the whole thing. We have started to work on an LP together.

What bands/artists/performers have inspired you musically and creatively over the years?

Alex: There are too many to list and even talk about. But I often take a lot of my inspiration from films, poetry and spontaneous discoveries in my everyday life. Sometimes a child yelling a strange sentence on the street may inspire an idea or lyric.

What was the inspiration for the song “This Wild Heart”? I find this song very interesting musically as well as lyrically….

 Alex: It was a combination of old western songs and the work of David Lynch initially. Lynch is a master of creating a surreal world that consumes you and that you can get lost in. So I tried taking this approach to a seemingly familiar song format by putting it in a whole new context. Victor and Tony’s textures are really what creates it’s juxtaposed and hypnotic environment. Lyrically it’s about coming to the realization that you are completely bound to someone regardless of the journey you’ve had with them and weather you like it or not.

You yourself play many instruments including the Mellotron on this EP. Which instruments are your favourites to play onstage and off-stage?

 Alex: Onstage I play guitar when I sing. It’s most fun and comfortable for me. I sometimes play Theremin onstage with my guitar when I can. That’s the best. You need a large stage to even use it properly, so it doesn’t always happen.

The members of this band are:

Alex Pulec – Vox and guitar

Victor Ess – Bass

Jared Roth – Keys and Synths

Nate Finucci – Drums

The song listing for the EP is as follows:

1.  Lysergically Yours

2.  It’s A Sin

3.  Lucy

4.  Domino

5.  This Wild Heart

6.  I Was I Was Someone Else

“Lysergically Yours” is pure kitschy and chaotic.  Progressive, edgy and with a touch of fun mixed with madness and fears, it’s a song about overpowering someone who is perhaps more passive.  There is symbolic duality in the melody of this song which gives it a fun but mad feel.

‘It’s A Sin” is a bold and brash song which is pure progressive psychedelia pop.  The melody is strong and makes a bold statement as the vocals wrap around the words beautifully.  Again, there is duality in this song which I think of as good versus evil but it’s more lyrically than musically.  Musically the song is upbeat and on the bright side.  Perhaps that’s another duality of the song itself.

“Lucy” has a good beat, is upbeat and chaotic in spots but these unusual spots hit a nerve when you realize that this is about life versus death (suicide).  The music belies that fact which is a brilliant disguise in song structure!

“Domino” sounds like a death dream that one lives in a song, if that’s possible.  Duality in life and death, whispers, Munster-like music which symbolizes being hypnotized while dying as the eyes close on life.  One of my favorites on this EP!

“This Wild Heart” is another favorite.  Sounding like southern psychedelia pop with vocal work by Alex this song reminds me of cowboys who have had a hard life and can’t be tamed in anyway, but instead, find a kindred spirit in the melody of songs.  I really like the big sound to it as well as the feel of the music.

“I Was I Was Someone Else” is a ballad like song but instead of being a traditional ballad its again a duality of being ignorant of one’s feelings about another person.  We all grow and become older and may change our lives, but, internally, we don’t change  our personalities.  This is one of those songs that makes you think about how you’ve treated past lovers and yourself.

The EP is everywhere, but the Bandcamp link is provided so that you can buy the EP right from the band without a middleman.  You can also visit the blog on Tmblr for info on the band and follow them there.  There is also a link to see video on YouTube below (produced by Nathan C. LaLonde).  I invite you to have a visit to Nathan’s site Eccentric Exhibits.  It’s a very interesting site of artwork, photographs and video works.  Other artwork on the CD comes from photographer Genevieve Blais (who has a website you should visit) and Amy Janine Wong sketched out the poster which is awesome.