Latest EP by The Manvils – Black Tornado


The Manvils had quite a year in 2011. They moved from Vancouver to Toronto and celebrated the new release of their EP Black Tornado. They hooked up with producer Sho Murray who recorded their debut CD Buried Love. The concept that they acquired is to record songs in each of their favorite cities – Vancouver, Toronto and Chicago. The band in general are progressing as songwriters and performers as this first EP release clearly shows the creative side of the band in general. They’ve also shared the stage with larger bands including Metric, Stereophonics, Bif Naked, Sonic Youth and Ben Harper just to name a few.

The tracks on this EP Vol. 1 are:

  1. Lions of a Lost Tongue
  2. Black Tornado
  3. Alone With You
  4. Castaway
  5. Hot Volcano

Starting with the song “Lions of a Lost Tongue” has a good melody but is a bit erratic in the beginning which works well with the Eddie Van Halen guitars. I particularly like the vocal work by Mikey Manville (singer/songwriter/guitars) and as always Greg Buhr (bass) lays down some root chords and is the backbone that is persistent in this song. Jay Koenderman (drums) keeps the beat like melted iron. The EP title song “Black Tornado” has a shifty kind of beat with straight on rock and roll but has confidence woven into the song like a heartbeat. Choppy and fuzzed out  guitars are layered in the song which makes the melody sound like it’s on the dangerous side. ”Alone with You” has a moody and dark melody with guitars that remind me of a murder and mayhem. With lyrics that say “I won’t leave myself alone with you” and “blood on my hands” confirms the feeling. “Castaway” has a definite haunting sound with a moody and dark melody which reminds me of being lost or having lost someone or something. Tense vocals throughout the song pick up the desperation that climaxes with an abrupt end to the song. Wow! “Hot Volcano” is an off-tempo, stop/stutter and frantic melody that works really well with Mikeys’ vocals. Choppy guitars end the song with a little bit of honey that makes the final notes all that much sweeter. Emotions are hard to get across to the listener through a song but Mikey manages to do this well. And his skills as a songwriter show up and are on the same page as the rest of the band. I wouldn’t be surprised to see them on an international stage in the near future.

For all things Manville their website has a lot of information including CD’s, past media articles and a tour sections to see where the band will be touring in 2012. The bands website is here.

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Interview with … Vancouver band The Niche’s Gabriel Savage


In early September, I had just sent out interview questions to a few people when I had to stop all work and ended up in the hospital due to a major drug reaction that took me down literally.  I’m at home and recovering now, but, I’m kind of in a weakened state due to the burns on my legs and feet.

I have just received these back from Gabriel Savage of the Vancouver band THE NICHE who were the Band of the Month with CFOX this past October 2011.  There is a lot of buzz about this band because they are a performance based band with terrific music.  They don’t have a lot of music online yet, but that’s only a matter of time before that happens.

I’m reviewing a song that was sent to me called “A LA RUE” which sounds like a carnival trip on the psychedelic side of life.  I’m reminded of 1960’s band The Doors, but, Gabriel takes the song and makes it his own vocally.  I’ve seen this band in action onstage and they are dynamite! Kaylar definitely rounds out the band with her odd sounds from the keys or her sax, Ryley does a great rhythm and lead guitar in this song, new member Chris is funked out with his root bass chords through the song and Mario’s drums carry the song on into infinity.  I really dig this band and its not hard to figure out why.

The current lineup is as follows:

Gabriel Savage – Vox

Ryley Kirkpatrick – Guitars

Chris Seversen – Bass

Kaylar Chan – Keyboards/Sax

Mario Beer – Drums and percussion

The Niche

The Niche live @ the Railway Club, Vancouver BC – photo courtesy of the band

What goals in relation to the band are you setting now to work towards over the next year?

We’re working towards releasing our EP within the next six months. We’ve just trained a new bass player so we had to take a break from recording for a while. We’re hoping to be able to get everything done by Spring. The songs are all there and ready, now it’s just about having the funds and resources to back us in the process.

What personal goals has the band as a whole achieved in the last year?

For the most part, we’re happy with where we’re at. Everyone’s enjoying the stages as they come and are looking forward to the next steps. Being Fox’s Band of the Month for October had its benefits, and so does playing shows regularly. We’re always happy to hear the good things people have to say after we play for them, so that’s always a bonus. As far as goals though, we’re just happy to have come this far in only a year, and are looking forward to the next stages of our career together.

As a band, what has been the best thing that has happened, and the worst thing?

The best thing is that we’re all still playing with each other and are enjoying our time together. Like I said, it’s always great to hear such positive feedback; it keeps us enjoying what we do knowing that others are enjoying it also. I can’t think of the “worst thing” yet. I think everything has happened in good time and for a good reason.
At first it was a bit of a drag losing Cory and having to go about finding a suitable replacement –which always takes a long time— but now that we’ve got Chris on the team it’s been really great. He’s been a great addition for the band and we all really enjoy working with him.

How do you see the current state of the Corporate Music Industry? Do you think it has changed since the “old” days before the internet? And, how do you feel about the DIY bands that are becoming mainstream? (arcade fire for example)

There’s no doubt that it’s changed, but that’s the way things have to happen. We have to evolve with the world around us. That goes for all aspects of the media. These days, if you want something, you’ve just got to work all that much harder for it, which makes it all the more worth it when it finally happens.
Arcade Fire are doing really well for themselves and that’s great to see.

Do you feel that the band has control over how your music reaches the fans? And if yes why do you feel this way and what factors into that?

Yes, being Indie has its benefits. There isn’t a lot of censorship, and we can pretty much say, do, write, and perform anything we want without any legal binds. There’s no doubt that it would be easier to reach people if we had all of our ducks in order (a finished album/EP/quality videos, etc) but right now, we’re doing everything on a real tight Indie budget so it does make it hard to do the right things all at once.

How would you describe your music to someone who has never heard your music before?

The mood I get from it is a sense of being aware but not quite at home with your surroundings. Kind of like a sailor who goes out to sea, prepared for the storm, but not necessarily ready for it to happen, you know what I mean? It’s got sort of a heavy, dark, gloomy feeling, but there’s more to it than that. There’s a sense of depth that people probably won’t hear if they’re just dancing or drinking at the bar, but that’s not to say they won’t enjoy it. They just wont walk away as satisfied as the people who were paying attention. I’d really like to try something a little different than what we’ve been doing. Maybe a couple hip-hop tunes, or something considered more “Pop”, just to give it a try and show people that we’re not stuck sounding the way we do, we just choose this sound over others because we feel it gets our message across in a way that isn’t really being done these days.

The Niche on tour – photo courtesy of the band

Who are the primary songwriters in the band?

So far I’ve written all the lyrics, but as a band we all of an equal say in the songwriting process. Sometimes I’ll come up with most of the idea on a guitar or bass, but after the initial blossom I usually pass the idea on to Ryley or Chris to give it some extra flare. I use instruments as more of a songwriting tool. That’s why you’ll only ever see me with a microphone and maybe a maraca on stage. (laughs). Although I do have a harmonica mic, but I just use it to achieve a sort of Tom Waits vocal effect, kind of like a megaphone.

Collectively, how does the songwriting process within the band go? Do you jam it out in rehearsal space?

We all work together to write the songs. Most of the time it starts with lyrics and a melody, but there are a handful of songs that have emerged from just a guitar or bass lick, or some sort of sound from the keyboards. Usually I’ll come into a session with an idea, and then the band will work some sort of arrangement around my lyrics. It all comes together pretty naturally though, it’s really quite a special process to be able to be involved in.

How did you come up with the band name?

I got the idea from “The Birth of Tragedy” where Nietzsche talks about the artistic elements of the ancient Greeks. ‘The Niche’ is meant to refer to the joining of the two different opposing art forms, that of Apollo, god of structure and stability, and that of the more dreamlike & ecstatic creations of Dionysus.
We’ve got an interesting balance of artists in the band, we’re all very different from each other, yet are perfectly suited for each other creatively. I think the name just really sums us up to a point that no other name would be able to achieve. Anyone who reads the Birth of Tragedy will probably get a pretty good idea as to what it is I’m trying to do.

What is your opinion on the music scene in Vancouver? Do you feel that there are enough venues for bands to book shows? And is there a lot of competition as well?

There are lots of venues and lots of bands to play them. There are a handful of swell promotion companies out there, however not many of them have touched us because we’re considered “too different” from most of the other bands in the circuit. I don’t blame them though, we haven’t got enough quality tunes online to really give the promoters an idea of what we’re about. So it’s been a struggle, we’ve had to book a lot of our own shows or team up with bands that we’ve become friends with. But its been fun, I’ve got no hard feelings, I’m pretty patient and forgiving! (laughs)

What bands/singers/songwriters did you all listen to growing up? And why are/were they important to you now that you’re in a band?

We each come from different musical and artistic backgrounds which, when blended together, sound like something that isn’t quite jazz, isn’t quite funk, and doesn’t fall under the typical blues structure, so we’ve been calling it ‘Sonic Rock’. Just sounds, man. A lot of the music is written to be a sort of soundtrack to the lyrics and images we try to convey with the songs.
I can’t really speak for everyone else, but my biggest musical influences were Elvis, Sinatra, and Johnny Cash. One was a performer, the other could croon, and man, could Cash tell a great story.

Before this band you had another band – what happened to Kick The Ashes?

Yeah, I joined Kick the Ashes as their songwriter. It wasn’t really my project, I was just another member. We were together for just under a year until we decided it was time to kick the bucket on Kick the Ashes.

How did you meet all the band members in The Niche? Are there members from Kick The Ashes?

I met Ryley and Mario through Kick the Ashes. We started playing with each other again in 2010 and decided to form another band. From there we had auditions for a bass player, and then Ryley’s girlfriend, Kaylar, came into the picture as the keyboardist & saxophone player.

What’s the best part about being in The Niche?

I just love that my words are being put to use, It’s great to have the opportunity to be able to present your artistic creations in such a personal and engaging manor. It’s really quite special. Plus, it’s awesome having the opportunity to work some of my closest friends on such a regular basis. I don’t think I could ask for anything more, except for maybe a good record contract, that would sure help us out financially! (laughs)

You can find The Niche at the following locations:

The Niche website

Facebook

Twitter

Supernova.com

Cupla song review – New debut CD out November 26 with “Letters Home”


Song Preview for new Cupla Single

Release Date for Single: November 1, 2011

Release Date for CD Letters Home: November 26, 2011

by Jade Sperry, Jadedphotography

 

Cupla

Vancouver’s Cupla (on Supernova.com) are making waves among the indie scene in the downtown core. They’ve just finished recording for their new CD (entitled Letters Home) and they’ve sent me a preview song to review called “I’m Going”. The song is 3:15 and is very well mixed. The drumming Bill lays down is hard and consistent through the song and the guitars (by Ken and Bobby) sound well blended and well paced (in the bridge the guitars go off in two distinct directions and then come back together and lock in to each other). Tricia has great vocals that are monochromatic which works well with the melody, and I have a feeling that more is yet to come from this talented vocalist. The only downside is that I really couldn’t hear the bass that Travis grooves on very well on this mix as it is buried by the layers of the song. However, I would rate this a 4 out of 5 stars because of the steady flow of the song, the melody and how well the vocals match the melody. And, I’m looking forward to hearing new songs by this undiscovered and talented band.  The lyrics for the song speak of a bad relationship and needing to break free of that and make a new start.

Cupla will be hosting a CD release party on Saturday November 26, 2011 at The Troubadour in Langley BC. Letters Home was recorded at Greenhouse Studios with Chris “Hollywood” Holmes producing.

EP Review – City of Glass – The Diving Bell plus video


EP review – City Of GlassThe Diving Bell EP

Released: 21 June 2011

by Jade Sperry

Jadedphotography

EP cover. Photo couretsy of the band.

Vancouver’s City of Glass are having a very good summer. In June, they released their newest EP The Diving Bell and they are on tour in Germany and in the UK beginning August 12. I’ve written two previous articles on City of Glass which you can read here and here.

First off, I’d like to state that the mixing and mastering of this EP is superb. Having said that the first song is “Sticks and Stones” which has an upbeat melody that has a slight sadness or melancholy feeling to it musically. Lyrically, this song speaks of someone who’s questioning their life on a deep and personal level. I like the way the synths and guitars compliment each other and the vocals Michael delivers are done well with feeling and emotion. “Tourist” is slower in its tempo musically as well as having a slight forlorn feeling of regret weaved within the melody (“I can’t feel it anymore”). The synths are kind of creepy sounding but fit in the song itself in a subtle way. I like the haunted feeling of the song as well. “Little Shadows” has an infectious groove that invites you to get your groove on. Lyrically it sounds a lot like paranoia or of being paranoid (“spies hiding from the corner/when you’re alone”) as well as someone reflecting on their life. “Control” begins with syths that are dreamy and makes the song sound surreal. Odd time signatures and minor keys make this song a standout as well as the vocals that Michael lays down. This song is mixed and mastered particularly well which gives the song a full sound.

This four song EP is recommended if you like indie dance pop music.

City of Glass have several videos on YouTube – this video is for the song “Sticks and Stones” live:

EP Review and Interview with … Letters To Elise


EP Review and Interview with Edmonton band Letters To Elise

EP Title: When It Meant Something

Release Date: April 12, 2011

by Jade Sperry

Jadedphotography

Letters To Elise have music that is a good mix of power pop, punk rock, synths and guitar driven songs which have infectious and catchy hooks. They also have a radio-friendly feel to their songs in general. This five song EP has good time changes (the song “Fake”), a soulful ballad that Brandon nails vocally (the song “Seven”) and is generally well mixed and mastered.

The band members are as follows: Brandon Pomerleau (lead guitarist/ vocals), Chris Marchlinski (rhythm guitar/vocals), Mike Iwanyshyn (keyboards), Patrick Moniz (bass) and Tyler Mensenchuk (drums). Patrick was kind enough to take some time out to answer some questions about the band and the music.

Jade:  What personal goals has the band as a whole achieved in the last year?

Patrick:  As a band, the goals that we have achieved would be the writing and releasing of our EP When It Meant Something. All the songs tell a separate story of something that has happened in our lives that was good and the bad times. The song “Seven” for example is probably our deepest and most meaningful song to our guitarist Brandon cause of the story behind the lyrics. “Fake” is an example of someone who is not always truthful to your face and is the kind of friend that might have stabbed you in the back or lied to your face. We made these songs hoping that maybe one of our fans or someone that happens to over hear it can listen to these songs or this whole EP, and relate to the music on a personal level.

J:  What personal goals has the band as a whole achieved in the last year and what goals in relation to the band are you setting now to work towards over the next year?

P:   Our goals for the future is to further promote our latest EP When it Meant Something which is currently available on iTunes and through the band at our shows. We don’t want to limit people so they feel forced to come to our shows just to buy a shirt or a CD. We have set up an online store, were you can buy the CD’s, posters and T-shirts. Other plans that we have is to hopefully tour in BC and get our single “Fake” on the Radio for some further promotion . The more publicity and interviews we get the more achieved we feel as a band.

J:  As a band, what has been the best thing that has happened, and the worst thing?

P:  The best thing that has happened to us as a band that we can all agree on was opening for Stereos in Calgary. The day we got the call we were so happy and stoked! Stereos was this unsigned band we used to do shows with when they were just a local Edmonton band. So we headed out to our jam space and made the plan. I don’t think any of us slept that night because we realized that it was a huge opportunity to play with them.. The next day, we all rushed around to prepare for the show. We packed up all of the equipment and headed out. Sadly our keyboardist Mike wasn’t able to join us on this date due to school.

Letters To Elise.  Photo courtesy of the band.

J:  How do you see the current state of the Corporate Music Industry? Do you think it has changed since the “old” days before the internet? And, how do you feel about the DIY bands that are becoming mainstream? (arcade fire for example).

P:  The Music Industry today has evolved in many ways. It definitely is not how it used to be when I was a kid. The Industry itself helps bands by telling them what the fans and people wanna hear, kind of like a guideline. But, a DIYB (do it yourself band) has the control and will eventually figure out the right way for the band.

J:  Do you feel that the band has control over how your music reaches the fans? And if yes why do you feel this way and what factors into that?

P:  I feel that it’s the bands’ responsibility to reach out to the fans by sending out a “Hey, what’s up? We are Letters To Elise, this is our music, have a t-shirt…Cheers!”. If we weren’t doing half the work we do to get our music out there we wouldn’t make it and most local bands wouldn’t make it. And we feel this way because we are a DIYB. We have full power over how the songs are heard . It’s all that good stuff.

J:  How would you describe your music to someone who has never heard your music before?

P:  Our music has more of a rock feel to it but also has a pop twist in there too. I tell people when they ask what we sound like and that is the band Yellowcard. It seems like the only band we as a band have come close to. Not on purpose, it was just something that we found fit our genre pretty well. We go for a sound that when people hear it, they go to their friends and say that they’ve never heard anything like it before. Or they might hear a hook that makes them listen to it over and over. It might be a lyric line that they can listen relate to and want to hear over. On one of our T-shirts has the phrase ” I Wanna Scream Fake at the Top Of My Lungs” which is a line in the single “Fake”. All of us know and remember the chants at our shows. We want people to hear the music and know that’s that what we represent and what we stand for.

J:  Who are the primary songwriters in the band?

P:  Chris and Brandon are the primary song writers in the band and they are the ones who bring in a guitar riff. Then we build that guitar riff into another part, and from there, we have a verse and a chorus of one song. Tyler will then get a beat over it and I come in and put a bass line down and Mike puts another masterpiece down on his keyboards. The song is then musically complete from start to finish and that’s when Chris and Brandon work on lyrics.

J:  How did you come up with the band name?

P:  The band name actually came from a Cure song called “Letter to Elise”.

J:  What is your opinion on the music scene in Vancouver? Do you feel that there are enough venues for bands to book shows? And is there a lot of competition as well?

P:  The Vancouver music scene to my eyes is blowing up slowly each day in a good way. I myself know a couple artists down there and they’ve got their song out there on Virgin Radio and Hot 107. A friend of mine is one of the members of a group out there called Dirty Radio. Their song is “My <3”. That song plays on Hot 107 every second day! I’ve flown down there and checked the venues out. There’s more venues in Vancouver than in Edmonton. The same problem exists in both cities – the venues are always booked up everyday of the week. If you walk down Granville Street in downtown Vancouver, they have street performers everywhere. On this corner someone’s rapping, and then on that corner you got a guy with an acoustic and a bongo and it just keeps going.

Thanks very much to Brandon and Patrick in answering these questions. Cheers guys!

The EP is a solid piece of work and the track listing is as follows:

  1. Addicted To Your Name
  2. Fake
  3. Seven
  4. Not Without A Fight
  5. Mannequin Down

Every song is personal to the band in some ways as Patrick said. One band that came to mind when I was listening to the first song on the EP called “Addicted To Your Name” is the band Neon Trees. This song is vocally delivered well by Brandon in that he gets the emotions across to the listener. A steady beat, good mix of guitars and keyboards and a catchy melody. “Fake” has good time changes especially when going into the chorus and coming back to the verse. I like the vocals and the effects over the vocals as they are subtle. The song “Seven” is a ballad with heart and soul. Brandon’s vocal work is done extremely well. The music is mellow, slow and languid and the song has depth as far as lyrics go. “Not Without A Fight” starts out with pounding drums and guitars whaling. The verses are stripped down, the time changes are good and the song flows. The last song “Mannequin Down” starts out with keyboards followed by a steady beat of the drum. The guitars are subtle. And the song just gels and all five members play as one unit.

Overall, this is a very solid band that has the drive and the talent to hit the next level. If you’re into bands like Neon Trees or Yellowcard, you need to check out the music and judge for yourself.

CD (EP) Review – The Ruby Spirit – Born Under A Veil


CD (EP) Review – The Ruby Spirit – Born Under A Veil

Released: September 5, 2010

by Jade Sperry

JadedPhotography

The Ruby Spirit. Photo courtesy of the band

In the fall of 2010, The Ruby Spirit released their debut record Born Under a Veil to a crowd of 500 eager fans at The Great Hall in Toronto. Since then the band has garnered a flurry of glowing reviews from independent blogs and printed newspapers for their ambitious and breakthrough brand of alternative pop. There are no signs of looking back.

This stellar EP was produced and mixed by Tony Malone and mastered by Joao Carvalho in various studios in Toronto ON. My first impressions of this EP: a lot of focused energy, dramatic music and fanciful lyrics in all 6 songs that are interesting and well written. The members of the band are:  Paige Boy (vocals), Alex Pulec (guitar and vocals), Mickey Donnell (bass), Jay Cipparrone (drums and percussion) and Juliana Eye (piano, organs, synth and vocals). This is a band that has a dramatic flair in their costumes and actions onstage which gives the music a “theatrical” feel to it (think “Cabaret”).

“Tin Can Bees” is the opening song which has an odd time signature and count but it works well with the melody and lyrical arrangement. Fuzzed out guitars, operatic vocals and samba drums are the backbone to this song. This song is based in emotions that speak of “we hate where we live but love the view”.

“Sound of the Bell” has a bit of an evil feel to it but at the same time, it has a fun feel to it, musically speaking. Lyrically, it speaks of being free, having the touch, and about having nothing to fear. It does have an uneven time signature but it works with the melody. The vocals are done very well by blending in with the music and setting the pace of the song in general.

“Ruby Dog” is for this writer the standout song on the EP. The piano and synths have an “Eddie Munster” campy kind of feel to it. The bass line and drums work well in the song giving it a great backbone to work off. Lyrically it’s about a dog that is lost and found again by his/her owner after spending a few days roaming the streets.

“From You It’s True” has a classic rock feel to it. This song has a slower time signature, a whimsical melody and great vocals. The lyrics are about not asking questions because you won’t get an answer anytime soon, if ever.

“Fix and Repair” is a stream-of-consciousness type of song. It’s fast paced with a slow break in the middle. In some parts of this song, there is a Spanish feel to the lyrics which flavors the music in a good way.

The final song “Caligari” has a jazzy time signature to it but also has a rock feel to it as well. The vocals are delivered in a very good way with emotion and feeling. Lyrically, this could be about anyone pondering the meaning of fame, money, evil intentions and the like.

Overall, this is a very good debut EP that has well crafted songs, interesting music and has a classic rock/theatrical vibe to it. The Ruby Spirit are starting life in a good place. The band is playing a show this evening Saturday June 25 at the famed El Mocambo with special guest Jumpie. You should check out the band as I’m sure you will not be disappointed.

Video – Tin Can Bees by The Ruby Spirit – Wood and Wires Sessions

EP Review – Pyro Fighter (Self)


EP Review – Pyro Fighter (Self)

Released: May 2010

by Jade Sperry

JadedPhotography

Pyro Fighter. Photo courtesy of the band.

Pyro Fighter’s bio states that they are “a renegade trio of tron-pop cut throats known for luring, capturing and permanently trancing their audience through a perfected formula of auditory and visual manipulation.” Although I have never seen them live, the music suggests that this statement is true.

Originally from Columbus OH, Dany Mellette (Commander), Billy Arnett (Enforcer #1) and Patrick Stockhausen (Enforcer #2) have very recently moved to Chicago IL and are being managed by Crystal Bishop at EarCandy Chicago. Pyro Fighter were on the club and party circuit in Columbus and caught the attention of Grammy Award winning Italian DJ Benny Benassi. With the aid of local rave lords DJ’s Carma and Attak and the influence of local photographers and bloggers, the hype led to an all out take-over of the city of Columbus.

In just under a year after Pyro Fighter came into being, the group caught the attention of MTV and had their song “LMFAO” selected to be featured on the Season 2 premier of the smash hit show “Jersey Shore”. Five million viewers turned that song into a YouTube sensation as well as on iTunes and SoundCloud.

The bands’ music is power dance pop, trance music and is futuristic in its sounds. Starting out with the song “Honey Shot” it has a good melody, trippy sounds and good layers in the song itself. Dany’s vocals fit the song perfectly in a monotone way which gives the song balance. “I’m The One” has a good beat, melody and is vocally performed well. I like the effects and layering and this is just a good dance track. It could lyrically be about “the” one or just the one for a good time? That would be up to the listener. “La Lemon Drop” is an interesting song as it has a rock vibe within the dance feel to it. The effects and layering are very effective in pulling that dance feel out of the song. The melody is well developed and the structure of the song is well built. Lyrically, this song has a dual meaning and it’s left up to the listener to interpret what that might be. The remix of “LMFAO” is choppy electronic beats and effects, stuttering, stopping and moving on a warped melody. It has a slow weird break in mid song which only adds to the slightly warped sound throughout the song. “Play Stop Rewind” is a straight forward dance track which is upbeat and in minor keys which gives the song a kind of futuristic feel. I like the robotic effects on the vocals, the trance like quality on the breaks and fast repeat vocals within the song. The layering is particularly effective in harnessing all those sounds and mixing them about in a pattern that has a good melody and structure to begin with. “So Good” has a softer beat which gives it a fuzzy kind of quality to the overall sound of the song. It’s not slow but has a different time signature which gives it that fuzzed out feel. The melody is catchy, the vocals sound sweet while singing about kissing and has a happy vibe. The final song “You’ll Never Know” has a really cool heavy beginning and then heads into a fast, headbanging dance track and all out assault, or so it feels like that. It has bits of marching sounds, a dreamy quality to the melody and kicks it with the faster dance beats. I really like how the band utilized the time changes within the song.

Even though this material is almost a year old, it sounds as fresh as the day it came out. If you like dance music and trance/electronica, this is one EP you want to get and comes highly recommend by this writer. You can find the music on the band’s website and the link is at the top of the review.