Review – Comasoft – Ropes on Fire


comasoft

Comasoft is a pop rock band from Chicago, IL that have some keyboards, guitars and a weakness for the 1980’s – mostly because fuzzy keyboards and Brian Adams riffs should never go out of style and we don’t want to live in a world where they are.  Comasoft is currently booking shows, playing everywhere their 20 year old van will take them and trying to rule the world.   So come and join us in bringing back rock-n-roll, general debauchery, and fun!   Comasoft sound like Kill Hannah, Placebo, New Order, Madina Lake, The Cure and AFI.  This EP was recorded and mixed by Chuck Mack (of Ghosthouse fame) at Ekectrowerks, and all photos courtesy of Kenra Sandsmark.

The members of the band are Jay (vocals), Crispy (bass and keyboards), Adam (guitars), Jimmy Con (beats and keyboards), Chris2 (drums) and finally Bilty who might drive the van a few times and does a lot of other things. Possible roadie?  No one seems to know.  He’s the mystery member of the band.  Comasoft’s music has been on the following TV programs:

Mtv – Ten on Top, and The Seven (Atombomb, Never the Same, and One to One)
HGTV – Design Star (10Volt)
Bravo’s upcoming show called “Fashion Hunter” (10Volt)
Canadian TV show – Degrassi (Put up a Fight)

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Comasoft have several EP’s and LP’s and do quite well for themselves in Chicago and would like to become a national (and eventually an international) name in their native US of A.  They’re a typical bunch of crazy dudes having fun and living life the best way they know how.  Their new EP is pretty stellar so let’s check it out.  The track listing is as follows:

1.   West Town (featuring Anthony Bagnara and Makeshift Prodigy)

2.   Waiting In Vain

3.   I Won’t Tell If You Don’t

4.   Bang

5.   All I Wanted (Acoustic)

6.   Lights Out (Acoustic)

7.   Waiting In Vain (Acoustic)

“West Town” has a really good melody, catchy hooks throughout the song (with guitars and keyboards) and is performed well by all members.  “Ropes on fire/I climb higher” gives  me a clue that when the heat is on, this band gets it on and goes the distance and beyond.  “All my friends try to tell me no/They see me break and they tell me so/And when I reach out to hold your…../All of my try to tell me no” can be seen many different ways by many different people.  Keeping the lyrics general is a good thing in this song as this could be seen by friends that you’re trying to help out by giving them advice which can lead to other things (mostly bad in this case) in the long run of any relationship.  You need to think for yourself.

“Waiting In Vain” starts out with a cool little guitar riff and explodes with the other instruments joining in.  “When you start to shake/When your hands grow cold/And your eyes stare off into space/I got you/ Why don’t you/Understand me when you’re falling/Well I’m still waiting/Waiting in vain” are some pretty great lyrics about how someone can feel about another person.  It could be early in a relationship where you are waiting for something to happen or looking for a sign.  Or a friendship that is changing into a relationship and you’re still not too sure about whether to take it to the next level.  The music is really well suited to the lyrics which makes in a stand out song on the EP.

“I Won’t Tell If You Don’t” is choppy song musically which features a good bass riff with starts and stops in all the right places.  “I won’t tell if you don’t/Just how far we could go” is a bit of a mystery and again is general in its meaning.  It could be many things which my gutter mind thinks of and I probably wouldn’t be far off the mark. It’s a well done song.

“Bang” is a really good song lyrically and musically.  “Your bullets/With my name on one” and “Bang/Now I’m dead on the floor/Bang/Now you got my attention/Shot through me” makes it really clear what’s going on in the song.  And the melody is a fast paced one with good backing vocals in all the right places.  Great song!

“All I Wanted” has some really good vocal work by Jay.  I really like his voice fronting the music.  The emotion coming out of him is evident in this song.  As it’s an acoustic version, you can really feel the words sung by Jay as the music is stripped down.  “All I wanted to say/I didn’t want it to end this way” pretty much sums up a lot of emotions in one song about a relationship that ended in failure, abruptly and possibly soaked in emotion.  Well done!

“Lights Out” seemed so familiar to me when I first heard this song.  Such bare bones with only an acoustic guitar and a few keys added in to make a point.  This song makes me think of close friends who have passed on in some tragic way that is shocking.  It’s a very well done song that is sad and plaintive in hearing Jay’s vocals.

“Waiting In Vain” the acoustic version is very well done.  Same lyrics but stripped down, it has a sad quality to it which comes across in the vocals by Jay.

All is all this is a stellar EP and just proves that this is a band that is working it’s way up in the Chicago scene and could quite possibly take on national recognition in the near future if they keep doing what they do best – making good music that people can relate to in whatever way possible and by being themselves.

The other music they have out on iTunes or from their website are:  Burn to Shine EP, The Beautiful Departure EP, Impulsive EP and Comasoft (self) LP.  You can find all this awesome music on iTunes US and Canada or you buy it on the bands’ website.

If you’re interested in booking the band for a show, you can contact them through their management team at:

Blue Amp Management, Francesca Campobasso by email:  francesca@blueampmusic.com (also, pleaes cc email to comasoftinfo@gmail.com).

Here is a video from their Burn to Shine EP called “10 Volt”:

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Review – Szabo – Get Wasted EP (2013)


szabo_cover

With influences ranging from Jazz fusion to 90’s alt rock, Szabo strives to create a musical landscape comprised of relate-able lyrics and infectious grooves. Szabo engages audiences with crowd pleasing tunes and a dynamic on stage presence.  Comprised of drummer Austin Perry, keyboardist Andy Vieluf, bassist Gary Coveney and lead singer/guitarist Elliot Szabo, the members of Szabo hail from a wide range of musical backgrounds and accomplishments.

In support of Elliot Szabo’s first solo project effort, Between Two Points on a Map, the group did short stints on the road as well as opening for national acts in their home city of Las Vegas. And now a year and a half later, the band Szabo is born, playing fan favorites from Between Two Points on a Map, along with new and innovative songs that fans will soon grow to love.  Szabo is now out of the studio finishing up their first EP together!

This four song EP is easy on the ears.  They have a laid back sound but also have powerful vocals from Elliot.  His vocals are pleading, the lyrics are brooding and full of life and the melodies are catchy.

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“Get Wasted” is a song about drug/alcohol addiction.  With lyrics like “Go get fucked up on your own time/Don’t you dare waste mine as well/Go get wasted in the corner/By yourself”.  That pretty much sums up the lyrical side of the song.  The melody is constructed well in this song – it flows from the verse to the chorus and back again.

“Pretty Good Kids” has a pleasant musical opening and is in the same vein musically as “Get Wasted”.  Laid back, catchy and melodic.  Lyrically, this song is about a longing to be anywhere but the place you grew up in.  I can relate to this as I moved from Ontario to British Columbia.  I had a yearning to be somewhere completely different.  I had never been to any of the Western Provinces so it seemed like a good idea.  And its worked out well for me.

“Where to Start” is a bit slower paced and opens with a piano.  This song is sparse on lyrics but the song stands well in the EP.  Lyrically, this is a song about wanting to do something you really want but you’ve no idea where to start.  In this case, I suspect it’s about writing a song as the fist line of the song is “It’s never easy looking down at blank paper”…..

“Minnesota” is a song about a long lost love.  It could be a woman, man or a place.  It’s also about feeling lonely and down at night and no one you know realizes you are lonely.  I can really relate well to this.  I don’t feel lonely every night but once in a while….  Musically there is a lightness to the song until it hits the end of the chorus where it goes off the charted melody into minor keys which give it a weird and uncomfortable feel.  It’s also full on with vocals that seem to slide down through the melody.  I like that effect as it works really well in this song.

This EP was recorded at Battleborn Studios in Las Vegas.  It was recorded and mixed by Rob Root and mastered by Mike Houge.  The album design is by keyboardist Andy Veiluf with the cover art by Daniella Toscano.  All photography by Lawton Howell and Ski Basham.

Review – Combine The Victorious – EP Crumbling Hearts


Combine The Victorious

Combine The Victorious (L to R) Mark Henning, Isabelle Dunlop, Justin Kadis and Misty Reid.  Photo credit – Klee.

Vancouver’s Combine The Victorious most recent EP was released back in October 2012 which is entitled Crumbling Hearts.  Founded by husband and wife duo Mark R. Henning (record producer/engineer) and Isabelle Dunlop (a fashion designer) in 2007, both were independently successful in their chosen fields. Their instinct for collaboration was soon realized on their debut full-length album The World Over (2007) The record received both critical and popular praise and their individual tracks were being included on compilations as far as Toronto, and even reaching the Czech Republic. The lead single from The World Over, “Blue Kitchen”, went on to become the theme song for the television series “About A Girl”.

Drawing upon this initial success, Combine The Victorious  founded the wider Boutique Empire Collective Music Label and have artists such as Sex With Strangers, Gilles Zolty and Guilty About Girls as well as other artists connected with the Vancouver scene on the roster. Despite this wider commitment, Mark reunited with Jordy Birch to form Guilty About Girls, and Isabelle began singing with both Guilty About Girls and Sex With Strangers.  But behind all this, Combine The Victorious continued to evolve.

Following a successful European tour to support the release of Crumbling Hearts (which included showcases in Stockholm, Sweden and London UK), Mark and Isabelle  welcomed new members Justin “Juice” Kadis and Misty Reid (both formerly of The Yoko Casionos from Universal Music Canada) into the band. Now officially a four-piece band, they look forward to releasing a full-length album in late-2013 or early 2014. This new offering will fuse elements of electronica, rock, dance and pop into a unique and compelling sound-scape.

Crumbling Hearts EP cover.  Photo credit - Klee.

Crumbling Hearts EP cover. Photo credit – Klee.

This EP was produced by Stefan Sigerson and the band.  The track listing for Crumbling Hearts is as follows:

1.  Crumbling Hearts

2.  California State of Mind

3.  Glasglow

4.  Smoke & Choke

5.  Paros

*Their new song “Brotherhood” (Dec. 2013) is included in this review but is not on the Crumbling Hearts EP.  Other artists who worked on this EP include Ingrid Schroeder, Hugh Ellenwood, Matt Kennedy, Jim Berry, Marc Wild, Simon Hunt and Stefan Sigerson.

“Crumbling Hearts” is a song that Isabelle started writing just before she left the band Sex With Strangers in 2012.  Starting on the slow side, the melody carries the song into a steady 4 beat hit.  Trippey psychedelia keys play well with the guitars, bass and drums.  Lyrically, it’s about love in many forms which can be good or bad and expressing it like dancing, writing, painting and any other creative way of expression.

“California State Of Mind” is a laid back song just like the state itself.   A whimsical melody melds well with the lyrics which speak of going away and coming back as a completely new person in some or many ways.  I like this song because a state of mind can be achieved by anyone and it can be for the better.  It can also mean a step backwards or negative state of mind.  Either way it’s up to the listener to figure it out.

“Glasglow” starts life in Scotland in a busy airport.  It speaks of being disappointed in some way in life and going somewhere you’ve been many times but not for enjoyment.  It’s seems to be about being supported by people who are close to but you’ve not seen in some time.  The melody is choppy and ragged but is played well.  I like the time changes as they are out of time but effective in the overall sound of the song.

“Smoke & Choke” sounds very new wave and reminds me of the 80’s new wave movement in its melody.  Funky and danceable, it weaves from a minor key to major keys well and is very fluid in the way the song is built.  Lyrically, choking on the air reminds me of pollution or could be choking on the cigarette one smokes.  It also speaks of putting two heads together which could be an issue to do with smoking or pollution or both.  I dig the melody as it reminds me of childhood songs or carnival music for some reason.

“Paros” speaks of instant love/chemistry and anything to do with falling in love.  Being in love is a commitment and takes two to make it work especially over time.  The drumming is really well done as is the vocals and harmonies.  It has a bit of new wave and experimental keys which give it a climax of sorts in mid-song.  And as I stand up and get more coffee, I’m dancing to the kitchen and back.  Of all the songs, this is my favourite song.  Its very easy to relate to on many levels by anyone who listens to the song.

“Brotherhood” is a radio friendly song that is upbeat in tempo, has a fluid positive melody and good lyrics.  Speaking of taking on the world after meeting in high school, its about two people sticking together and making their own way through life and looking out for one another.  This is a very well put together song.  Lush sounding at times and then going to the bare bones of the song is a brilliant way to capture a positive feeling/thought/emotion.  Well done!

On their Soundcloud page, they have numerous songs all of which are pretty damn good.  They also have some very good videos done as well on their YOUTUBE page.  Check them out when you have time as you won’t be disappointed.

Combine The Victorious – Crumbling Hearts and interview with Isabelle and Mark.

Review – Rioting Reverb – High I’m Your Neighbour (4 song EP)


Rioting Reverb is a band from Mississauga ON that have a quirky, folksy and somewhat rock sound to their music.  They are a relatively new band on the scene.  I dig their music.  The band members are:  Mike Batruch – Guitar/Vocals/Harmonica; Devon Golding – Bass/Back up Vocals and Joseph Boyland – Drums/Percussion.

I asked Mike Batruch about the band and this is what he had to say:

“This current line of Rioting Reverb has been around for about 4-5 months now, with Devon joining in August 2013.  Our previous bass player was unable to continue with us. It started off as a singer songwriter project by myself (Mike) in November of 2009, and in January 2012, Joe joined me.  We went through several bass players before Devon joined. We independently released our Debut EP ‘High, I’m Your Neighbour’ in April 2013.  It was recorded and mixed by Devon at a friend’s basement.  We are currently playing shows and we’re working on a stop motion music video for our single ‘This Wasn’t It’.”

rioting reverb ep cover

I am currently streaming their 4 song EP from their SOUNDCLOUD and the songs are:

1.  This Wasn’t It

2.  Respirator

3.  Old Stories!

4.  Untitled Jam 1

“This Wasn’t It” is a dance-able folk song (think the pogo) with some light punk ethic for good measure (standard 3 bar beat).  Mike’s vocals sound inviting, warm and slightly out of tune which makes it a good live off the floor recording.  The melody is not too fast but laid back and is played well by all members.  I like the roughness of the song and its straight-forward message of if things don’t work out like you thought, find a way to do what you love and don’t let anything stop you.  Forge ahead because your time will come.

“Respirator” is a song that reminds me lyrically of playing hide and seek or spin the bottle.  Both go back to a time of innocence when your a child and a teenager.  This song also ranges in its’ emotional side of life “one day I’ll be smiling/the next day I’m sad”.  It also highlights the folksy, harder edged and well played guitars of Mike Batruch.  The bass is low and the drums pound away.  This is my favourite song.

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“Old Stories!” starts out with a harmonica opening by Mike (and is throughout the song) with the steady beat of the drums.  There’s also some time signature changes within the beginning of the song as well.  I particularly like the start and stop musical breaks within the song.  A song about stories told to us about morals, life and watching what you wish for.  A very good song.

“Untitled Jam 1” is a mish-mash of music that is funky, bluesy and kind of folksy.  The first part is really heavy reverb on the guitars; very 70’s influenced.  It’s a good song to rock out to on the dance floor.  The song itself has an uneven sound but that’s its’ charm.  The second part starts out with looping that sounds straight out of the ’60’s and is presented well.  It does have structure and towards the middle, the guitars replace the loop and sound terrific – dreamy guitars on their own standing strong.

These 4 songs are a good start to this band, and I think we might be hearing more from them in the future.  The band’s music can also be found on BANDCAMP where you can also stream the music and buy it straight from the band if you really like it.  They are also on FACEBOOK and YOUTUBE for live video performances.

Rioting Reverb LIVE – Respirator

Review – The Rekkening – Broken Mind EP


Vancouver’s The Rekkening has just brought out their new 4-song EP called Broken Mind.  For those of you who don’t know or who’ve never heard of The Rekkening, here is the background – Tracey Lynn Satann (main vocals/guitar) joined forces with bassist extraordinaire Goredzilla to form what is the backbone of The Rekkening.  At that time, they recorded a demo called “Best Served Cold” which went over well.  They played some gigs with a rotating door of guitarists and drummers and wrote songs.  They found guitarist Travis T (Treacherous T) who plays guitars on the EP and drummer Jordan Meyer.  However, Jordan just didn’t work out the way they had hoped, and they’re recruiting a new drummer, Natalie Elliot who has yet to find her nickname in the band.

As we speak, Goredzilla is in LA right now at the Bassist Convention where he handed out the EP to bassists’ for Metallica, Megadeath, Billy Sheehan, etc.  He’s also done an interview with the co-host of City Talk TV LA Robin Takizawa.

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The EP was engineered by Esteban Cruz Z., Roger Lee and Jeevanath Sekaran.  And, it was mixed and mastered by Ken Burke.

The 4 songs are (in order):  In The End, Broken Mind, Cry, Is This Love (Whitesnake cover).

Starting with “In The End” the first words you hear are “Blinded by rage/At a young age…” and “I am who I am” should tell you right off the bat that this band follows their own muses and if you don’t like the music, then leave now.  Tracey has very powerful pipes and she can get in your face literally with a focus and concentration that probably scares most other people.  Her intensity with music is evident in the vocal work on all 4 songs.  The music is hypnotizing, the drums pound and the song explodes from the speakers.  Travis’ guitars are very good throughout the songs as well.  And the bass work is impeccable.

“Broken Mind” has a sinister quality about it musically right from the start due to the song being in a minor key.  Tracey picks up a megaphone to use it as an extension of her powerful vocals which only a few bands have ever used.  Asking questions “why…” make me wonder what is she looking for which is interesting in of itself.  It’s a dark song about why why why do certain things keep happening in life.  Many people wonder the same thing about their lives as well.

“Cry” starts out with an acoustic guitar and fills out as soon as the drums enter the song.  It’s a great ballad song and is radio friendly.  With lyrics “But now I only cry/When it’s late at night/And now I only cry/Instead of holding you” are some strong emotions in the words which you can hear in the vocals.  This song is mixed well.  The guitars are lovely, played with graceful hands by Travis.  And the bass work speaks for itself.

“Is This Love” is a Whitesnake cover which isn’t like the original.  The band took this song and put some speed into it and grind it out with powerful vocals, pounding drums, choppy but fluid guitars and the bass just goes with speed beat drums.  A great headbanging song!

The one thing I like about this fresh band is their passion, focus and concentration on the music.  Tracey and Goredzilla are working hard this time around to make a name for themselves in the competitive genre of hard rock/metal.  I asked Tracey what would be the ultimate thing to happen to which she replied “We’d love to play some festivals in Europe, Germany in particular.”  With the right karma, this just might happen.  This EP is solid, refreshing and hard hitting, and when more songs are written and recorded, who knows what can happen!

The band can be found at the following links:

Facebook

Twitter

Reverbnation

You can also find some older songs in their live videos such as “Angel” from 2009’s The Red Room’s performance and from 2010 with “Wake The Dead” from a show at The Bourbon.

General Overview of Older Reviews


Since the beginning of this year, I’ve had an overloaded plate and at some point due to many issues, I just couldn’t keep up.

But slow change is happening, and since the reviews I had been working on are 6 months or older now, I’m just going to give out the artists’ name/band name with a link to read about the music and that kind of thing.  I’ll just make a comment about the music, but it’ll be more or less “general”.  I want to leave it to fate and what consumers want (that means you!).  Whether it’s a name of a person/band that sucks you in or just being curious as to what kind of person/band with that name has what kind of music?  Either way, it’s your free will to choose what you do.

One final note:  I do have 2 new reviews that will be posted separately over this long holiday weekend – both are Vancouver BC based artists Sex With Strangers and Rec Centre.

Mother Mother

Hill and the Sky Heroes** (see below for contest)

Jesse Sparks

The Gromble

The Red Button

Seth Swirsky

Taz Taylor Band

Cubic Feet

Infared Sunday

**Hill and the Sky Heroes are on Audio Blood Media, and thanks to the AB Team, I just happen to have 2 extra copies of the CD and if you’d like one sent to you, just answer me this:  1)  who is the force behind this CD and 2) name 3 other artists who this force has worked with and on what kind of project (music, film, art, etc.)

Send an email with your answers to:

jadedphotograhy@me.com

Deadline is September 20th, 2013.  The first correct entries win the CD.  Please remember to include an address to send the CD to in your email.

Mother Mother “The Sticks” is my favorite CD this year hands down.  I love the progressive nature of this band so much it hurts.  The lyrics are always stark and stripped down but remain mysterious to individual listeners.  The opening track OMENS is downright ominous and creepy , but there is a lingering question mark at the end of that song that leads directly into the title track THE STICKS.  I can’t explain how a song can make you think of a question mark.  It just is.  I’ll be playing those 2 songs at the infamous Halloween party this year out in Surrey!  The music does lighten up and take on more happy but melancholy tones  (musically) but lyrically it could go either way.  I would describe the vibe/undercurrent of this CD in 3 words:  On the edge.

Hill and the Sky Heroes is another example of a progressive artist and band member with other impressive credentials to the name Hill.  I had never heard of this band but the talent that is bursting out of this CD is like a water deluge of biblical proportions.  It’s overwhelming at first.  If you like whimsical, edgy and a life being lived fully kind of music, this is a must have for your Indie music collection.

Jessie Sparks is originally from Melbourne Australia where she is based out of today.  She did live in her early teenage years in Illinois, Iowa and New York State in the US where early on she had a huge talent for singing and pianos.  This 5 song EP is worth a listen and download from iTunes.  Great blues vocals reminiscent of Janis Joplin, Odetta and Billie Holiday.  Good timing, upbeat melodies for the most part and a fantastic voice highlight this Blues artist – and if you like Blues, you’ll want to add this to your collection.

The Gromble have that throwback music from the 1990’s.  Not a bad sound if you’re in a longing for the 1990’s.

The Red Button is a Seth Swirsky collaboration.

Taz Taylor Band is pretty much good rocking music.  Check out the link above to find out more.

Cubic Feet and Infared Sunday have good solid music you should check out by following the links above.

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I want to thank Audio Blood Media and Luck Media for their patience while I’ve been AWOL with medical issues.  You guys rock!  And its good to be back!

EP review and Interview – The Nursery – Carnival Nature


An indie band in Toronto called “The Nursery” has completed their new 6-song EP called Carnival Nature.  Alex Pulec is the main driving force behind this band (and he is formerly of the band The Ruby Spirit where he was asked to leave).  He’s a very talented individual whose skills are all over the internet.  If you google his name, watch what comes up.  Amazing.  I hope to meet him personally in the future.

The EP was produced by Tony Malone, and when I heard this EP I knew that it had been mastered by Joao Carvalho (David Vertesi, Shad and By Divine Right) whose mastering skills are just amazing. The EP was released on 29 June 2013, and the links for Tmblr and Bandcamp are listed at the end of the review, as well as a video.  Another ally in the project is Nathan C. LaLonde (photography), whose personal site is worth a serious look.  He is definitely someone who I’d like to meet in the future.  I love his work!

Photograph taken by Nathan C. LaLonde

Photograph taken by Nathan C. LaLonde

I had a chance to ask Alex Pulec and Victor Ess some questions and their responses are as follows:

How did you form your current band “The Nursery”?

Alex: The band developed between a collaborative relationship between Victor and I. We had gotten into this habit of spending evenings ditching parties and events early to go work on songs. Eventually we realized a whole set of music had been written and we started getting excited. After having the songs ready we needed to find musicians to bring them to life and perform so Victor brought Nate in and I brought in Jared.

Where did the band name come from?

Alex: To me a Nursery of any kind represents life as much as it represents death. I love the play between light and darkness. The pleasant and the macabre. Those dualities always find their way into our music. It seemed appropriate.

What drove you to leave your last band “The Ruby Spirit”?

Alex: I never left. I was asked to leave. Too many cooks in the kitchen to make a loaf of bread.

Most artists have a “process” for writing songs. How do you write your songs? Do you concentrate on the melodies, or the lyrics, or the entire structure of the song?

Alex: For me it usually starts with an impression of an idea or a hazy image. Sometimes it’s a melody with words or sometimes it’s just a sound. I like to allow the idea to lead me further and further into what it’s supposed to be. It gets shaped in the process of trying to discover why this bit of music is having such an effect on me. Eventually the pieces start falling into place as you get closer. It always gets shaped even more with the band before it can be called finished.

Victor: I’ll often have a basic skeleton or structure in mind, or perhaps a particular melody or vibe that I want to emphasize. If I don’t have a completed idea, Alex and I will usually take an evening to work on it together and help it take shape.

As an Indie band in the land of social media, how do you find gigs to play?

 Alex: I have used social media to connect with bands that are based out of our town to swap gigs with. I see Twitter as some sort of ice breaker platform to get in touch with bands, promoters or venues that may seem out of reach otherwise. It’s great to use if you are booking all your own gigs and don’t have someone handling that yet. I also really like putting on shows with friends and other bands I love from in and out of town. It’s fun to put on shows with your friends. I feel it resonates with an audience on a level that feels honest and genuine. Pulling together with people for something feels good. Trying feels good.

What’s your take on supporting yourself in an Indie band in the age of social media and networking? Do you find it works to your advantage or disadvantage?

Victor: Social media done right can actually be really effective. I find a lot of people trying to promote themselves, bands or otherwise, put in the bare minimum with social media/networking and it comes off as disingenuous, like they’re just going through the motions cause everyone else does it. Nobody wants that. I think social media is great because it really gives you a chance to share your journey and tell your story to people.

 Alex: It’s discerning between ASKING for things or GIVING to people. Focus on giving not asking. Social Media is free. Give it away.

What have you “personally” learned and sacrificed by being a creative artist through your life so far? And how did you incorporate that lesson or emotion into a creative expression?

Victor: I’ve turned down some great job opportunities because they might have cut into my ability to make music. Same thing with relationships. I’m doing this because I love it, plain and simple.

 Alex: You have to genuinely love your art or else you’ll start to resent it when obstacles come in your way. And they will always come, because it’s not easy. There is no set path to follow. You need to cut your own. It’s always easier to travel in the dark with something you love.

Because of the over-saturation of DIY bands in the Toronto area, how will your band stand out above the other bands?

 Alex: I don’t believe it’s over saturated. Just under exposed.

On the EP, Carnival Nature, you name many other musicians who play and arrange – who are the other permanent members of The Nursery, and what instruments do they play?

 Alex: I never made a record that had so many people on it. It was like a making a film with big cast of characters. Tony Malone who produced it served as the director and helped organize everyone’s contributions. He also did the horn arrangements. I asked Athena Babayan to sing harmony on This Wild Heart to get a ghostly female voice on it. Her parts are some my favourite bits on the record.

Victor: From the beginning I have been a permanent member of The Nursery but ended up taking over the synthesizers instead of bass on ‘Carnival Nature’.

 Alex: He was kind of our Brian Eno to Roxy Music on this record programming most of the odd sounds and atmospheres that swirl around the songs.

 Victor: Sam Morton, a great bass player and friend of ours handled bass while I did all synth work. Now I play Bass, synths, sing harmony and any other effects or sounds that I can get my hands on.

Alex: Now The Nursery consists of Nate Finucci on drums and Jared Roth taking over keyboards as well as myself and Victor. They both bring such a different and fresh energy to the whole thing. We have started to work on an LP together.

What bands/artists/performers have inspired you musically and creatively over the years?

Alex: There are too many to list and even talk about. But I often take a lot of my inspiration from films, poetry and spontaneous discoveries in my everyday life. Sometimes a child yelling a strange sentence on the street may inspire an idea or lyric.

What was the inspiration for the song “This Wild Heart”? I find this song very interesting musically as well as lyrically….

 Alex: It was a combination of old western songs and the work of David Lynch initially. Lynch is a master of creating a surreal world that consumes you and that you can get lost in. So I tried taking this approach to a seemingly familiar song format by putting it in a whole new context. Victor and Tony’s textures are really what creates it’s juxtaposed and hypnotic environment. Lyrically it’s about coming to the realization that you are completely bound to someone regardless of the journey you’ve had with them and weather you like it or not.

You yourself play many instruments including the Mellotron on this EP. Which instruments are your favourites to play onstage and off-stage?

 Alex: Onstage I play guitar when I sing. It’s most fun and comfortable for me. I sometimes play Theremin onstage with my guitar when I can. That’s the best. You need a large stage to even use it properly, so it doesn’t always happen.

The members of this band are:

Alex Pulec – Vox and guitar

Victor Ess – Bass

Jared Roth – Keys and Synths

Nate Finucci – Drums

The song listing for the EP is as follows:

1.  Lysergically Yours

2.  It’s A Sin

3.  Lucy

4.  Domino

5.  This Wild Heart

6.  I Was I Was Someone Else

“Lysergically Yours” is pure kitschy and chaotic.  Progressive, edgy and with a touch of fun mixed with madness and fears, it’s a song about overpowering someone who is perhaps more passive.  There is symbolic duality in the melody of this song which gives it a fun but mad feel.

‘It’s A Sin” is a bold and brash song which is pure progressive psychedelia pop.  The melody is strong and makes a bold statement as the vocals wrap around the words beautifully.  Again, there is duality in this song which I think of as good versus evil but it’s more lyrically than musically.  Musically the song is upbeat and on the bright side.  Perhaps that’s another duality of the song itself.

“Lucy” has a good beat, is upbeat and chaotic in spots but these unusual spots hit a nerve when you realize that this is about life versus death (suicide).  The music belies that fact which is a brilliant disguise in song structure!

“Domino” sounds like a death dream that one lives in a song, if that’s possible.  Duality in life and death, whispers, Munster-like music which symbolizes being hypnotized while dying as the eyes close on life.  One of my favorites on this EP!

“This Wild Heart” is another favorite.  Sounding like southern psychedelia pop with vocal work by Alex this song reminds me of cowboys who have had a hard life and can’t be tamed in anyway, but instead, find a kindred spirit in the melody of songs.  I really like the big sound to it as well as the feel of the music.

“I Was I Was Someone Else” is a ballad like song but instead of being a traditional ballad its again a duality of being ignorant of one’s feelings about another person.  We all grow and become older and may change our lives, but, internally, we don’t change  our personalities.  This is one of those songs that makes you think about how you’ve treated past lovers and yourself.

The EP is everywhere, but the Bandcamp link is provided so that you can buy the EP right from the band without a middleman.  You can also visit the blog on Tmblr for info on the band and follow them there.  There is also a link to see video on YouTube below (produced by Nathan C. LaLonde).  I invite you to have a visit to Nathan’s site Eccentric Exhibits.  It’s a very interesting site of artwork, photographs and video works.  Other artwork on the CD comes from photographer Genevieve Blais (who has a website you should visit) and Amy Janine Wong sketched out the poster which is awesome.