Review – Combine The Victorious – Autonomous

Combine The Victorious are an electronic, progressive pop band that has great melodies and equally great lyrics.  Buying the new album Autonomous on iTunes was a real gem in the cave of music that is iTunes.  The album was released on September 13, 2015 to the masses and the twelve songs are very good and was easy to listen to and dance around my apartment getting coffee and dinner together.

mark henning isabel dunlop 2015

Mark R. Henning and Isabelle Dunlop

Combine the Victorious formed in Vancouver in 2007, growing from a spirited collaboration between husband and wife: record producer/engineer Mark R. Henning, formerly of Pure and Blisterene, and fashion designer Isabelle Dunlop, formerly of Sex With Strangers.  Isabelle has her own Boutique located in Vancouver, B.C.

Details:  Isabel Dunlop, Clothing, Designer & Singer, 4158 Main St., Vancouver, Hours:  Wednesday – Sunday 12-6.

Already independently successful in their chosen fields, their instinct for collaboration was soon realized on their debut full-length album The World Over. The record received both critical and popular praise, including inclusion on compilations as far afield as Toronto and the Czech Republic! The lead single, “Blue Kitchen” went on to become the theme song for the television series “About A Girl”, and was one of eight songs licensed from the record.

Drawing upon this initial success, Combine the Victorious extended to found the wider Boutique Empire Collective, gathering bands Sex With Strangers, Gilles Zolty, Guilty About Girls and other artists connected with the Vancouver scene. Despite this wider commitment, Mark reunited with Jordy Birch to form Guilty About Girls with Isabelle singing with both Guilty About Girls and Sex With Strangers.  And all the while, Combine the Victorious continued to evolve.

Subsequent releases, Disagreements and Crumbling Hearts saw the band refining their musical identity, distilling to a powerful, evocative essence and perfectly captured on the standout track from Crumbling Hearts, the song “Glasgow”, where sumptuous guitars weave in and out of Mark’s wily groove, a perfect backdrop for Isabelle’s melancholy lyric and heart-breaking melody.

Following a European tour as a duo to support the release of Crumbling Hearts in which they did showcases in Stockholm and London, and continued to work for two years writing and recording material for their second full length album Autonomous. A longer process than before, this album is the result of collaborations with Don Harrison, Stefan Sigerson, Ingrid Schroeder, Leigh Grant and several other highly talented artists from the Vancouver music scene. Once again, Combine the Victorious fuse elements of electronica, rock, dance and pop into a unique and compelling soundscape.


With Autonomous, I can clearly hear and see the evolution and progression of a band with a lot of talent.  The track listing is as follows:

  1.   Hardly Spoken
  2.   Recharge
  3.   Stand In Front Of Tanks
  4.   Caught Up To You
  5.   California ’15
  6.   Smoke and Choke
  7.   Happy Girl
  8.   Best Tonight
  9.   Stop Givin’ Up On Love
  10.   Real Life Turns Me On
  11.   Encryption
  12.   It’s Still On
The first track “Hardly Spoken” is a smack in the face to wake you up to the fact that is band is to be reckoned with in a respectful way in regards to what the album has in store for you.  With choppy and chunky guitar tracks, this song speaks about destruction and devotion, giving up and the like, and they make it clear that it’s been too many times.  However, the chorus is the flip side of the song, and is about hope and not giving in to giving up.  The melody is sweet and matches Isabelle’s fuzzed out vocals that make a great statement in the structure of this song.

“Recharge” is making a fresh start after recharging the batteries.  A sharp guitar picks out the backbone of the song and is almost a bass line which is a perfect match to the melody, which comes in and out of the structure of the song itself.  The guitar work is very good and fits in the song seamlessly.  Awesome.

The third song “Stand In Front Of Tanks” reminds me of a picture of a loan man in Tiananmen Square from China. This song is fast and upbeat with a great electronic start to it, and the melody takes off into the clouds.  Standard drum tracks, which is a background vocal, made me laugh.  I don’t know why, I just found that amusing.  I like the build up of everything towards the end of the song, and handclaps always work in any song.


Tiananmen Square, China, June 5, 1989. Photo: Jeff Widener

“Caught Up To You” has a very catchy guitar groove.  The song explodes with “Woo!” in the background with the pounding melody sounds good.  It’s a great dance/raver song if that’s your scene.

“California ’15” is a slower, more bluesy song with jazz over-tunes throughout the song.  I really like the way it draws you in and washes over you in just over four minutes.  A very pleasant song to chill on.

In “Smoke and Choke”, you have a groovy electronic beat that carries the melody and the whole song.  I like the drum machine changes in this song.  Uniquely done.

“Happy Girl” is upbeat and has a playful feeling to it.  The electronica is the backbone of the song and fuzzed out guitars in places and this gives it a positive feeling in the melody.  This song reminds me of electronica for hippies everywhere, but the truth is that this song is for everyone.  A good dance song.

The song “Best Tonight” has a good combination of guitars and electronica.  Upbeat, positive and making it makes for a good song in the collection of the album.  The beat is solid, the electronica sounds melancholy for a second and it gels with the vocals.  The harmonies are particularly good in this song.

The last 4 songs are in the same vein as the rest of the album.  They are languid, fast, upbeat, melancholy and almost sweet with the song “Giving Up On Love”.  I highly recommend that if you like structured electronica with twists and turns and great dance tunes as well as chillin’ out then this record should be in your playlist.  “Real Life Turns Me On” totally reminds me of being in Germany in October and singing songs in German, drinking beer and having fun polka dancing.

You can hear the album on their website highlighted with the band name, follow them on the Twitter highlight, visit them on Soundcloud here, find them on Bandcamp where you can also buy the album here  and visit the boutique that is Isabelle Dunlop if you are in the Vancouver area.  You can also visit their YouTube  channel to see loads of videos.


CD Review – Gerard Way – Hesitant Alien

Everyone who ever liked or heard My Chemical Romance knows who Gerard Way is.  I was never a big MCR fan, but I have to admit, The Killjoys struck a chord deep in the depths of my being.  Aliens, apocalypses and giant animal heads are great but a “hesitant” alien is intriguing – and a good title to a début CD as a solo artist.

Gerard has accomplished many things in his short time on this planet – he’s fronted the highly successful band mentioned above, has 2 comic book series under his belt, is a good songwriter and has a family.  He is married to Lyn Z, has a daughter (Bandit who’s 6) and from where I stand, he is enjoying what he’s doing as it’s on his own terms now.  You still have to be part of the “machine” but it’s better to be in a good position from within the “machine”. Being a solo artist is hard when you’ve had the security of a well oiled band behind you.  But, Gerard is doing it his way and it seems to be paying off.

When I received the package with some nice things inside, it was the CD that stood out in it’s simplicity.  The photography is well done, showing a “hesitation” photo of Gerard on the front.  I’ve really enjoyed the videos, the tour and other things I’ve seen on Facebook and YouTube.  I caught a full show on YT from the UK Redding show and also some really well done interviews.  Facebook took me to many articles and interviews from Gerard and I have to say, I like this guy.

The CD was produced by Doug McKean.  It was engineered by Doug McKean and Tom Rasulo.  Recorded at Sonic Ranch in Tomillo TX and at Lightning Sound Studio in Hidden Hills CA.  Assistant Engineers are Gerardo “Jerry” Ordonez, Zach Mauldin, Lance Sumner and Andrew Law.  Mixed by Tchad Blake at Full Mongrel, Wales UK.  And the CD was mastered by Bob Ludwig at Gateway Mastering in Portland, ME.  The band members besides Gerard are Ian Fowles (guitars), Matt Gormey (bass) and Jarrod Alexander (drums).

gway hesalien2

Having said the above, let’s move onto the CD itself.  The tracks are in this order:

  1. The Bureau
  2. Action Cat
  3. No Shows
  4. Brother
  5. Millions
  6. Zero Zero
  7. Juarez
  8. Drugstore Perfume
  9. Get the Gang Together
  10. How It’s Going To Be
  11. Maya The Psychic

There are many discussions from fans on many threads about the fact that they don’t like the new bands that the other band members have formed.  And many don’t like the new solo direction that Gerard is taking.  Life changes and things move forward.  As you age, you’ll understand that.  You have to grow and change – experience different things and situations with other people. Otherwise, the repetition is a death chant to some of us who are creative.

Taking the CD at face value for the music, I found the music to be pretty much what Gerard is saying in his interviews. He’s exploring totally different sounds (a departure from the MCR sound) from the Britpop phase in the 90’s to glam rock from the early 70’s.  And he has a really definitive way he wants it to be heard.  If you read the fine print on this CD, Gerard plays bass, guitars, percussion, piano and keyboards.  And Gerard’s brother, Mikey, even does some vocal work on the song “Millions”.  All lyrics were written by Gerard with various other people under Sub Atomic Tourist Music and others affiliated with the other person writing with Gerard.  And if anyone wants to know why sometimes you see Blonde hair on Gerard, you have to bleach your hair blonde and then dye it again.  It’s a process.

The first song “The Bureau” has got some crazy sounds going on – heavy fuzzed out guitars in a simple 2/3 chord structure – which sounds like someone is on caffeine and maybe a bit on the paranoid side.  Interesting that there is a British phone ringing at the end.   Lyrically it speaks of “get in/get out” and “everybody keep it calm tonight”.  The impression I see is that Gerard is making it clear that something different is coming up.  It’s not like MCR music, and it’s a good statement.

With “Action Cat” it’s like after the paranoia, let’s have fun and enjoy a pop song.  Pure and simple.  I’ve been listening to this song for a while and I like the part that goes “we can make it up again”.  Everyday is like being a new version of the last version.  Actions and decisions are all part of the process.  I have a deep impression that this song has something to do with his daughter Bandit and how he sees the purity of childhood imagination and how to be inspired by that.  I like the chorus, it speaks of “we can make it up again” plus “and we don’t care we just pretend”.  It also is saying to the innocent “Do you miss me/cuz I miss you”.  The music in the bridge is pretty cool with the guitars and is simple but effective.

“No Shows” reminds me immediately of not touring and missing and questioning the self.  It could be family life and strong bonds between two partners.  It could also mean questioning the whole “lifestyle” of your professions.  I like how the lyrics leave you guessing and is in the third person meaning this song can be about anyone who works a job and has a family.  Well structured, a little lazy in it’s feeling and a very solid melody, this is a good pop song.

Moving on to the song “Brother” it sounds melancholy with a sweet and perhaps down feeling melody.  With lyrics like  “can’t sleep tonight”,  “cuz now we don’t sing so loud” and “remember when you and I would make things up” is some a song of fond memories recent and past.  And it could mean more people than just a brother – wife, child, mother, father, etc.  It’s a well structured song that speaks from personal experience.

“Millions” has a slight off tune sound but works well within the structure of the song itself.  The music sounds very much like the Manchester sound from the early to late 90’s like Blur and Pulp.  It’s a good pop song in the fashion of an era that defined music from this area of the globe.

Another song to hit up is “Maya The Psychic”.  The music is fast, upbeat and almost reminds me of a tamer version of what Gerard used to be in MCR.  One lyric that stands out to me in this song “but when you read my future/are we running home or running free today?” which totally strikes a very deep chord in me.  I must admit when I’ve had a bad thought of someone else in front of me it usually happens.  Or having dreams come true.  “Use weapons of clairvoyance” directed to “teenage believers” is consistent with blocking radio waves from all sorts of metallic devices. There have been studies on this.

All in all, this is a good effort at a solo career and direction to take to expand your knowledge and musical tastes to an individual.  I’m interested in what direction this will go.  I hope that sometime in the future Gerard puts out more music of his own for sharing.  Other songs on the CD to check out are “Zero Zero” and “Drugstore Perfume”.

Enjoy the videos and the interviews posted for this album.

Video Review – The Nursery – Lysergically Yours

Toronto band The Nursery released a new video from their EP Carnival Nature called “Lysergically Yours” which hit their YOUTUBE channel on July 9, 2014.  They’ve been touring and doing shows from Toronto to Buffalo and back again.  They just met a new band member, Jocelyn, who is their new drummer, and life couldn’t be better than it is with lead singer and guitarist Alex Pulec right now.  They are recording new music, planning new tours and maybe a surprise or two along the way.  I had the pleasure of contacting Alex and doing a fast Q&A with him just a few days ago, and here’s what the interview went down as by email:

The Nursery, July 2014.  Photo by by Geneveive Blais (copyright).

The Nursery, July 2014. Photo by by Geneveive Blais (copyright).

Jade:  You’ve been doing quite a few shows in Toronto and Buffalo recently.  Which gig has been the most fun for you and why?

Alex:  You can see Toronto across the water in some parts of Buffalo. It’s not often you get to peer at your home from that far away while bring in another country. We’ve met some of the most amazing people there, for example we’ve met producers, engineers, show promoters and artists alike. We’re really excited about our next Toronto show at Lee’s Palace in Toronto on August 15 as well as a show on August 8 at The Hub in Oshawa.

Jade:  You mentioned that there is a new band member.  How did that come about and what are the details on the new band member?

Alex:  We were in between starting production for the video Lysergically Yours and the moment it was finished, we started working with our new drummer, Jocelyn. That’s why you can’t see her in the video.  The change was very amicable and we’re looking forward to adding Jocelyn’s new energy into our songs.

Jade:  Are there any new plans on new music coming out soon?  And if not, when do you think that might happen?

Alex:  We’re recording an exciting batch of new songs right now that we’re planning to release in the fall of 2014. We’ve been mostly working out of GCR Audio in Buffalo. That city has an energy that no urban town or cabin in the woods could ever come close to.

Jade:  How did the video of “Lysergically Yours” come about?  Whose idea was it and how did it all come together?

Alex:  I had the visual ideas and sketches for a face to be covered in coloured “Jimmies” around for an independent photography project I was planning on doing a year ago. “Jimmies” are the actual name of those tiny multi-coloured sugar shapes, typically rods and balls.  When it came up that we were going to do a video for this song, I felt those ideas fit much better with the colours and mood of the music.  We collaborated with Toronto photographers Devon Stewart and Genevieve Blais to help crystallize and capture the vision.

Jade:  What’s coming up in the future of The Nursery?

Alex:  More new music, more touring and a maybe an 8-bit style video game with Famicom versions of our music for the soundtrack.

* * * * * * * * * * * *

Sounds awesome and a game plan of some sort.  Whatever the final outcome, I’m sure we’ll all enjoy what The Nursery come up and out with.  Great musicians and great visual ideas in general for the two videos by this band so far.  I personally can’t wait to hear some new tunes in the fall from this band!  And to see more artistically creative videos.

The video is really well done.  The funny thing that stands out in this video are the coloured candy bits on those sugary doughnuts, the “Jimmies” which I never knew the name of and I will remember that.  I have to say that when I first saw this video, I was laughing because I found what they were doing was funny, but in a good way. Anyway…..the band is in a room that is covered in aluminium foil (much like Andy Warhol’s The Factory was like from 1965-1969) which I thought was a good move as Warhol was a visionary artist much like Alex in some ways.  The band performs the song and in some parts it’s kitschy and fun.  You can tell all members of the band are having fun.  This video is kind of like Warhol’s Factory in the sense that adding simple props to make it seem timeless in some ways works well. Devon Stewart and Genevieve Blais have given the video artistic life in a sense, as well as the original idea by Alex. Photographers are some of the most artistic people I’ve ever met and can be an added value to any video setting.   I especially like the goggles worn by Jared Roth on keys – gives it a good feel with the silver background.  And Victor Ess’s haircut is a big plus as it just looks good on him playing bass.   And then there’s those candy sprinkles (Jimmies) around the mouths of Alex and the mystery lady…..have they been eating the same doughnuts?  And, are they Lysergically each other’s mate?  I could guess but I’d rather revel in the mystery.

Isn’t it funny how sugar, music and candy sprinkles, or “Jimmies”, look good in a silver room with a rocking good song?

The video is right here – let the band and myself know your thoughts on it by sending some comments!

Review – Comasoft – Ropes on Fire


Comasoft is a pop rock band from Chicago, IL that have some keyboards, guitars and a weakness for the 1980’s – mostly because fuzzy keyboards and Brian Adams riffs should never go out of style and we don’t want to live in a world where they are.  Comasoft is currently booking shows, playing everywhere their 20 year old van will take them and trying to rule the world.   So come and join us in bringing back rock-n-roll, general debauchery, and fun!   Comasoft sound like Kill Hannah, Placebo, New Order, Madina Lake, The Cure and AFI.  This EP was recorded and mixed by Chuck Mack (of Ghosthouse fame) at Ekectrowerks, and all photos courtesy of Kenra Sandsmark.

The members of the band are Jay (vocals), Crispy (bass and keyboards), Adam (guitars), Jimmy Con (beats and keyboards), Chris2 (drums) and finally Bilty who might drive the van a few times and does a lot of other things. Possible roadie?  No one seems to know.  He’s the mystery member of the band.  Comasoft’s music has been on the following TV programs:

Mtv – Ten on Top, and The Seven (Atombomb, Never the Same, and One to One)
HGTV – Design Star (10Volt)
Bravo’s upcoming show called “Fashion Hunter” (10Volt)
Canadian TV show – Degrassi (Put up a Fight)

Comasoft 1396571257_WhitePressShot_ROF

Comasoft have several EP’s and LP’s and do quite well for themselves in Chicago and would like to become a national (and eventually an international) name in their native US of A.  They’re a typical bunch of crazy dudes having fun and living life the best way they know how.  Their new EP is pretty stellar so let’s check it out.  The track listing is as follows:

1.   West Town (featuring Anthony Bagnara and Makeshift Prodigy)

2.   Waiting In Vain

3.   I Won’t Tell If You Don’t

4.   Bang

5.   All I Wanted (Acoustic)

6.   Lights Out (Acoustic)

7.   Waiting In Vain (Acoustic)

“West Town” has a really good melody, catchy hooks throughout the song (with guitars and keyboards) and is performed well by all members.  “Ropes on fire/I climb higher” gives  me a clue that when the heat is on, this band gets it on and goes the distance and beyond.  “All my friends try to tell me no/They see me break and they tell me so/And when I reach out to hold your…../All of my try to tell me no” can be seen many different ways by many different people.  Keeping the lyrics general is a good thing in this song as this could be seen by friends that you’re trying to help out by giving them advice which can lead to other things (mostly bad in this case) in the long run of any relationship.  You need to think for yourself.

“Waiting In Vain” starts out with a cool little guitar riff and explodes with the other instruments joining in.  “When you start to shake/When your hands grow cold/And your eyes stare off into space/I got you/ Why don’t you/Understand me when you’re falling/Well I’m still waiting/Waiting in vain” are some pretty great lyrics about how someone can feel about another person.  It could be early in a relationship where you are waiting for something to happen or looking for a sign.  Or a friendship that is changing into a relationship and you’re still not too sure about whether to take it to the next level.  The music is really well suited to the lyrics which makes in a stand out song on the EP.

“I Won’t Tell If You Don’t” is choppy song musically which features a good bass riff with starts and stops in all the right places.  “I won’t tell if you don’t/Just how far we could go” is a bit of a mystery and again is general in its meaning.  It could be many things which my gutter mind thinks of and I probably wouldn’t be far off the mark. It’s a well done song.

“Bang” is a really good song lyrically and musically.  “Your bullets/With my name on one” and “Bang/Now I’m dead on the floor/Bang/Now you got my attention/Shot through me” makes it really clear what’s going on in the song.  And the melody is a fast paced one with good backing vocals in all the right places.  Great song!

“All I Wanted” has some really good vocal work by Jay.  I really like his voice fronting the music.  The emotion coming out of him is evident in this song.  As it’s an acoustic version, you can really feel the words sung by Jay as the music is stripped down.  “All I wanted to say/I didn’t want it to end this way” pretty much sums up a lot of emotions in one song about a relationship that ended in failure, abruptly and possibly soaked in emotion.  Well done!

“Lights Out” seemed so familiar to me when I first heard this song.  Such bare bones with only an acoustic guitar and a few keys added in to make a point.  This song makes me think of close friends who have passed on in some tragic way that is shocking.  It’s a very well done song that is sad and plaintive in hearing Jay’s vocals.

“Waiting In Vain” the acoustic version is very well done.  Same lyrics but stripped down, it has a sad quality to it which comes across in the vocals by Jay.

All is all this is a stellar EP and just proves that this is a band that is working it’s way up in the Chicago scene and could quite possibly take on national recognition in the near future if they keep doing what they do best – making good music that people can relate to in whatever way possible and by being themselves.

The other music they have out on iTunes or from their website are:  Burn to Shine EP, The Beautiful Departure EP, Impulsive EP and Comasoft (self) LP.  You can find all this awesome music on iTunes US and Canada or you buy it on the bands’ website.

If you’re interested in booking the band for a show, you can contact them through their management team at:

Blue Amp Management, Francesca Campobasso by email: (also, pleaes cc email to

Here is a video from their Burn to Shine EP called “10 Volt”:

Review – City of Glass – The Modern Age (2013)

David Phu and Michael Champion.

City of Glass, a Canadian duo comprised of Micheal Champion and David Phu, two long-time friends and opposite personalities, COG was born in Vancouver and cut its teeth in Berlin and across Germany.  Drawing from older dark pop favourites (The Cure and New Order) modern inspirations (Foals, The Whitest Boy Alive) and a love of electronic music, COG have crafted a unique and memorable sound on their debut LP The Modern Age.

In the last years, COG performed for enthusiastic audiences in the UK, France, Germany, Czech Republic, and across Canada. The band was honored to perform at landmark venues in London, Berlin, and Paris, and at festivals in Prague, Luxembourg, Toronto, Victoria, and Vancouver. Their recent visit to Prague included a five song showcase live on Czech national television.  City of Glass, a Canadian duo comprised of Micheal Champion and David Phu, two long-time friends and opposite personalities, COG was born in Vancouver and cut its teeth in Berlin and across Germany.  Drawing from older dark pop favourites (The Cure and New Order) modern inspirations (Foals, The Whitest Boy Alive) and a love of electronic music, COG have crafted a unique and memorable sound on their debut LP The Modern Age.

Songs from their brand new debut LP, “The Modern Age,” have already received much praise from major publications in Canada and the Czech Republic and from both Germany and the UK’s finest indie rock blogs. BKS Crew’s (The Union: The Business Behind Getting High) music video for their single “Tourist,” was featured on Canada’s MuchMusic television station and on Their most recent video for “The Modern Age” was created by up and coming videographer Jem Garrard (Linkin Park, Ringo Starr, Young Galaxy) who is working with City of Glass on some very exciting upcoming projects.

I’ve been a fan of City of Glass since 2009/2010.  I really love the music because it’s well constructed and although it’s reminiscent of some of my favorite bands from the 1980’s like The Cure and New Order but they also are unique and have modernized their original sound.  I’ve never seen the band live but I hope to change that if they play a show in 2014.

City of Glass with “The Modern Age” LP cover.

The track listing is as follows:

1.   The Forest

2.   Blinding

3.   Tourist

4.   I’m Not Here

5.   Wait For Me

6.   Sticks and Stones

7.  An Island

8.   The Modern Age

9.   Youth

10.  The End

“The Forest” has an ethereal quality to it.  On the slower side, it starts with bright high guitars and leads into Michael’s otherworldly vocals.   “Waiting till you think you know” and “Change what you feel is wrong” speaks to me of how we are killing our planet in many different ways and each of us has own way of doing what we do for the planet and reducing our carbon footprints.

“Blinding” starts out with sounds from a keyboard and guitars and in that begins the melody of the song and the beat follows.  I really like how this song starts out.  “Rats in a cage, travel together, breeding alone, which vein is better?”  are great lyrics which I think compares humans to rats.  Or so it seems to me.   I also like how the song unfolds throughout its life.  It’s a really well constructed song.

“Tourist” is a song that was on The Diving Bell EP, which is one of my favourite songs that City of Glass have done.  It’s a song that sounds good musically and lyrically. Speaking of broken promises/words and broken dreams it may speak of meeting someone whom you like or admire and having a falling out due to the fact that they don’t live in the same area geographically, which can be heard on any relationship.

“Sticks and Stones” is another favourite of mine and is a feisty fast paced song with guitars and keys that weave a great melody.  Again, this song is really well constructed from beginning to end.  Michael’s vocals punctuate with the chorus which gives a start stop feel to it.  “Sticks and stones, far from home, trail of bread crumbs” makes one wonder where are you/we going here?  But that’s not the point, the point is where do you want to go?  And when you go, leave some doors open just in case you fail.

And the title track for the album “The Modern Age” is a sombre song which begins with haunting guitars and a high hat.  In minor keys it gives a slightly foreboding of things to come.  “Hours and hours alone, kings upon the thrones” and “…blood spits out like water…” and also “…the illusion of control…”  are remarkable and one wonders what this song is about.  I feel that there are many things in our “modern” world that aren’t modern at all and have been re-discovered over time.  The passage of time and our bater system of money for consumer goods gives us a disadvantage because the illusion of control is that we are controlled but in a subtle way by our governments, police and judicial systems.  Is it for our own good to be monitored on CCTV constantly by big brother?  And why is technology being used against us in this “modern” age?  This is what this one song brings to the forefront for me.

Michael Champion and David Phu are City of Glass.


All in all, this is a really well done body of music by Michael and David.  The LP was produced by COG and Winston, mixed by Shawn Cole and Mark Angly at Fader Mountain Studio and engineered by Paul Boechler, Tom Prilesky and Winston.   Recording was also done at Spirit Vegetable and The Bunker and was mastered by Brock McFarlane at CPS Mastering.  Artwork by Michael Champion and Christoph Prevost Photography.  The LP was written and performed by Michael Champion and David Phu with Alexander Cumming on drums.  Additional vocals by Aude GL (An Island) and additional drums by Cole Godfrey (The Modern Age).

Watch some of the videos to the songs from this LP here:

City of Glass – The Modern Age

City of Glass – Sticks and Stones

City of Glass – Tourist





Review – Sex With Strangers – You Know Something We Don’t? (2014)

Sex With Strangers (SWS) are from the shadows of rain-covered Vancouver.  They draw from a wide source of influences from new wave and post-punk to ’60’s inspired ballads. Although the band revels in the exploration of a wide variety of genres, SWS has managed to create their own unique sound that is highlighted by robust bass grooves and the vocal interplay between lead singers Hatch Benedict (lead vox/keyboards) and Alexis Young (lead vox/keyboards).  It seems to me that Hatch has met his female musical counterpart in Alexis and vice-versa.  They play well off each other as far as studio music is concerned.  Rounding out the band is Mike Gentile (bass), Cory Price (guitars) and Dan Walker (drums).  I’ve been a big fan of this band since 2009’s The Tokyo Steel LP.  Spin Magazine once named SWS as one of “7 Undiscovered Bands Worth a Listen”, and they are best known for their feverish and interactive live performances.  The band has been showcased at a number of North American Festivals since their inception – which includes performances at SXSW, CMJ, NXNE, Halifax Pop Explosion, Riffilandia, Sled Island, Junofest and Shambhala.

Hatch Benedict.  Photo by Jade Sperry 2010.

Hatch Benedict. Photo by Jade Sperry 2010.

The band are set to release their 6th Studio LP this May 27.  This LP extends the sonic margins of the band’s previous efforts, moving the guitars out front and furthering the unique vocal interplay of Hatch and Alexis.  The vision for this new album is clearly evident when comparing the album’s first single “Slaves to the Night” (a dark unrelenting bass driven track) to Alexis Young’s dreamy synth crackling entry ballad “Burned”.

The album was recorded, mixed and produced by Paul Boechler (along with the band Sex With Strangers) at Garth Richardson’s Fader Mountain Studios in Vancouver. It was mastered by Brock McFarlane (at CPS Mastering Vancouver BC).  The cd was designed and photographed by Alexis Young with photo styling by Lindsay Elliott. Also in the cd, there is a thank you to the students at the Nimbus School of Recording Arts in Vancouver BC.

Mike Gentile (bass) on the left and Cory Price (guitar) on the right. Photo by Jade Sperry 2010.

Mike Gentile (bass) on the left and Cory Price (guitar) on the right. Photo by Jade Sperry 2010.

The track listing is as follows:

1.   Hostages

2.   22

3.   Pink Sock

4.   Slaves to the Night

5.   Falling Over

6.   Burned

7.  Wasted Glory

8.   Space Wolf

9.   Temporary Love Confession’

10.  Wandering Eyes

“Hostages” begins with high chords on the guitar and has some good bass grooves that come in and out of the song which gives it a choppy feel.  “Don’t you hate it when the panic never arrives?” and “Don’t you hate it when the truth sounds better than lies?” are great lyrics in my books because in a lot of ways, these are true statements. What you expect to happen doesn’t.  “Whatever happened to our senses?” gives one a thought of your senses may be misleading you because you want something to happen that never does.  “You don’t want to be hostages in the night” which can elude to some primal act or emotion or both.  Great song!  This song also reminds me of another great Vancouver band whose CD I’m also reviewing right now.

“22” is a good song with a good hook and melody.  Reminding me of a band in Ontario whose music I really like, this song is taken over by Alexis who sings the lead vocals.  The music is fast, danceable and has a feeling of being crazy. This song also sounds very punk in the music because of the guitar work by Cory Price.  Alexis’ vocals are really good and make a dramatic part from Hatchs’ vocals.  “Let’s go out and tell everyone we know” and “Cause you won’t stop and I won’t tell you no” gives you the impression that there is something that one cannot say no to.  What that is only the band knows.

“Pink Sock” is an interesting title for a song that is written in minor keys (as much of the album is) which gives it a slightly darker feel to it.  “I only want to watch you carry on with your convection” which gives me the impression someone is watching you for what reason(s)?  For their own amusement?  Or for some darker purpose you aren’t aware of?  The guitars are very much in your face but so is the keyboards, so you have a duel off between them. Which is wild and crazy as the melody of the song is really not like that.  But SWS has a way of making notes of music do that.  Bend it baby!

By far the best song on the CD is “Slaves to the Night”.  Wow.  The bass work by Mike is so deep down which makes the song and gives it a great backbone to work off of. Dirty heavy guitars are laced throughout the song as an evil coiled snake moving its way through the songs sinewy body.  Hatch and Alexis’ vocals trade off each other and also compliment each other which gives the song an even more darker edge.  The melody itself is rather edgy in its own way and kind of has a life of its own.  “….I warned you lovers/you can’t take back what’s under the covers” is a great lyric for this song and gives me an indication as to what the song is about.  Fantastic job on guitars Cory!

“Burned” is a dark ballad sung very well by Alexis.  The melody has a very dark edge to it and is all keyboards with some drums, other percussion instruments and guitars with a little bass.  The song reminds me a very well cooked meal in its design.  The melody flows really well in the background giving it a full lush sound. With lyrics like “Oh the way you tricked me and how you lied” and “Oh and how it feels to be so alive” give an indication of a romance gone bad in visceral way but somehow managing to surviving the fallout.

“Space Wolf” is a great title for any song but this song reminds me of a running wolf.  Always going going going without taking time to look around and enjoy life around him/her.  Once again, Hatch and Alexis trade off vocals with Hatch being the aggressive singer and Alexis being softer more gentle with the lyrics.  The music is fast paced, moving on its own as if it too is alive.  “Let me hear you lie” reminds me of lying and maybe getting away with it.  But in the animal world its all about energy that you give off so in a way I would imagine it would be harder to lie to another animal.  That’s how I see the song – very animal like and of the energetic world as opposed to our shallow world of make believe and distractions.

All in all this is an evolutionary turn for SWS as this is a real departure from the last five albums.  Their fourth album, Behaviours, indicates a direction but this album is that direction burning down the highway in the fast lane.  I look forward to hearing more from SWS in the future and also look forward to hearing more evolution from these great people.

The band doesn’t have a video off the new album yet, but from 2011, Sex With Strangers show their fun side from The Peak Performance Project with 102.7 The Peak (Vancouver Radio Station).  Enjoy!

SWS are also playing a FREE CD release show in the Vancouver area on Thursday May 29 with some of their friends Actors, War Baby and Combine the Victorious and DJ Trevor Risk (Ice Cream Social) at The Fox Cabaret.  Come on down and have some fun and some drinks!  You might even end up meeting the band who wander freely with drinks in hand through the club stalking nothing and no one in particular.


Review – Acres of Lions – Home(s)

Acres of Lions is a pop/rock/punk/alternative band based in Victoria, BC in Canada and features ex-touring members of the seminal American punk band Against Me! and also from Moneyshot and Theset. Their music is lyrically-driven rock, influenced by bands such as The Get Up Kids, Jimmy Eat World, The Weakerthans, Alkaline Trio, and Saves The Day. The band members are Jeff Kalenikoff, Tyson Yerex, Dan Ball and Shane Deyotte.

This band has been active since 2006 but in 2008, Acres of Lions signed a recording and development contract with Cordova Bay Records and received critical acclaim for their 2009 debut full-length album, Working.  Exclaim! Magazine reported “This is definitely a band to keep on the radar”. They then followed up that up with their sophomore album, Collections, also released on Cordova Bay Records in 2011.  This album took the band’s sound in a more pop-influenced direction, and was met with more commercial success. The first single, “Reaction”, was mixed by legendary engineer Mike Fraser (AC/DC, Mother Mother, Franz Ferdinand) and charted at #19 on the Canadian alternative rock charts.

acre of lions 1

2011 was also a big year for Acres Of Lions, as they were selected by Music BC as one of the ‘Top 20 Bands in BC’ for the Peak Performance Project. Other highlights included music placements on television programs Degrassi and Majority Rules, and a cross-Canada tour supporting JUNO nominated indie-rockers Ten Second Epic.

In 2012, the band attracted international attention, placing third in the pop category of the International Songwriting Competition and releasing their albums though Bullion Records in Japan, and Fierce Panda Records in Europe. They also took on an impressive 250 date touring schedule, including: two cross Canada tours, two tours to the UK, performances at Canadian Music Week and Edgefest, opening slots for Hedley, and more than 6 months on the road with a provincial government career building initiative performing for youth around British Columbia.

Acres Of Lions released their third album, Home(s), on Cordova Bay Records in 2013. The first single, “Bright Lights”, was met with continued commercial success, breaking into the Top 40 Canadian alternative rock charts, and licensing a music placement in CBC’s television program Arctic Air. The band continued touring extensively throughout 2013, including performances at Warped Tour, Victoria’s Canada Day Celebration Festival (50,000+ attendance), and opening for the band City and Colour.

As of 2014, the band is currently in the studio writing new material for what will become their fourth full-length album.

I’m a big fan of Against Me! and when I heard that Acres of Lions were forming in Victoria BC in 2009, I began to following them because of their association with Against Me!.  But, over the last 5 years, they have proved to me and their fans that they are a band to be heard and have commercial success to prove it.

acresoflions cd front homes

The track listing for the CD is as follows:

1.   Bright Lights

2.   Old Town

3.   Prairie Fire

4.   Great Escape

5.   Never Let Me Go

6.   Better Luck Next Year

7.   Miserable Together

8.   Writing from the Heart

9.   Home(s)

10.  Signs and Wonders

The song “Bright Lights” is a fast, up-tempo song with a good melody and played well by all members.  “You used to have solutions/And did I make your list just to never follow through/On any of them but you” gives me the impression that the song is about someone who likes another person who makes lists of certain things about people in some ways.  Also, the song is about past memories of cool kids and celebration drumming circles probably on the beach somewhere with a big bonfire going.  And love at first sight.  In some parts of the life, being cool and doing what’s cool at the time is what this song reminds me of.  It’s a good party song and a good dance tune.

“Prairie Fire” is a hip tune that sings about UFO’s, summer ghosts, fires, night time; all emulated in this song.  I really like the melody of the song as it’s catchy and has a good hook.  This song speaks of not having any where to go and searching for something that may or may not be tangible.  This song is well played by all members of the band.  The melody is upbeat and makes you feel good.

“Never Let Me Go” begins life full on and goes down to bare bones with the vocals.  “Say you won’t forget me/Say you’ll never let me go” could be about a touring band saying goodbye to loved ones for an extended period of time.  I like the stop/starts, the guitars and the vocals.  It’s a good song and well constructed.

“Signs and Wonders” is the last song on the album.  I like the lyrics of this song and the melody is choppy and chaotic but well streamlined.  “At the end of your life” is a great first line to open a song.  Sounds like someone is watching life go by in a detached kind of way.  I like the vision that brings to the song.

I wanted people to know about this band because they aren’t self absorbed and play for the love of music and feeding off the energy of crowds at shows.  Their passion for music is evident in their lyrics and in their live shows. There are many videos on their YouTube channel but I like this acoustic performance on The Peak radio show. Watch, listen and enjoy.